"Romanian Folk Dances, Sz. 56: III. Pê-loc. Andante - Arr. for Violin and Piano" by Béla Bartók, Patricia Kopatchinskaja, Fazıl Say was released on September 15, 2008. With Romanian Folk Dances, Sz. 56: III. Pê-loc. Andante - Arr. for Violin and Piano being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Patricia Kopatchinskaja, Fazıl Say's "Kopatchinskaja - Say" album is number 9 out of 17. On top of that, France appears to be the country where this track was created. Based on our statistics, Romanian Folk Dances, Sz. 56: III. Pê-loc. Andante - Arr. for Violin and Piano's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Romanian Folk Dances, Sz. 56: III. Pê-loc. Andante - Arr. for Violin and Piano by Béla Bartók, Patricia Kopatchinskaja, Fazıl Say to be Allegro (fast, quick, and bright) because the track has a tempo of 147 BPM, a half-time of 74BPM, and a double-time of 294 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Mikhail Pletnev, Russian National Orchestra | E Major | 0 | 12B | 88 BPM | ||
Ligeti : Romanian Concerto : I Andantino | György Ligeti, Jonathan Nott, Berliner Philharmoniker | C Major | 0 | 8B | 91 BPM | ||
Dutilleux: Oboe Sonata: II. Scherzo (Vif) | Henri Dutilleux, François Leleux, Emmanuel Strosser | A Major | 2 | 11B | 152 BPM | ||
Piano Trio in A minor, M. 67: 1. Modéré | Maurice Ravel, Beaux Arts Trio | C Major | 0 | 8B | 83 BPM | ||
Violin Concerto, Op. 36: III. Finale. Allegro | Arnold Schoenberg, Hilary Hahn, Swedish Radio Symphony Orchestra, Esa-Pekka Salonen | D♭ Major | 2 | 3B | 124 BPM | ||
Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
Violin Sonata in G Minor, L. 140: I. Allegro vivo | Claude Debussy, Michael Barenboim, Daniel Barenboim | D Minor | 0 | 7A | 101 BPM | ||
Romance for Cello & Piano, RT VIII/5 | Frederick Delius, Gerald Peregrine, Antony Ingham | B Major | 0 | 1B | 87 BPM |
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