Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel made "Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente" available on January 8, 2022. The duration of Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 85 in the song's album "Start 2022 with Bach". In this album, this song's track order is #78. Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Musical Offering, BWV 1079: 4f. Fuga canonica in Epidiapente by Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prelude and Fugue in C-Sharp Minor, BWV 849: Prelude | Johann Sebastian Bach, Glenn Gould | E♭ Major | 4 | 5B | 113 BPM | ||
Bach, JS / Orch. Marriner: Was mir behagt, ist nur die muntre Jagd, BWV 208 "Jagdkantate": IX. Aria. "Schafe können sicher weiden" | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields, Ian Watson | D Major | 3 | 10B | 99 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Lieder ohne Worte, Op. 67: No. 4 Presto "Spinning Song" | Lang Lang | C Major | 4 | 8B | 173 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Unaccompanied Cello Suite No. 1 in G major, BWV 1007: IV. Sarabande | Johann Sebastian Bach, Yo-Yo Ma | G Major | 0 | 9B | 97 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fugue | Janos Sebestyen, Johann Sebastian Bach | A Minor | 3 | 8A | 132 BPM |
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