Igor Stravinsky, Vadim Repin made "Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (b) Pas de deux. Variation" available on August 22, 2006. With Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (b) Pas de deux. Variation being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 109 in the song's album "The Collected Recordings of Vadim Repin". In this album, this song's track order is #32. In terms of popularity, Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (b) Pas de deux. Variation is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Stravinsky / Arr. Dushkin for Violin and Piano: Divertimento from the Fairy's Kiss: IV. (b) Pas de deux. Variation by Igor Stravinsky, Vadim Repin having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 7 in A Major, Op. 92: III. Presto. Trio I und II. Assai meno presto | Ludwig van Beethoven, Berliner Philharmoniker, Kirill Petrenko | D Major | 2 | 10B | 105 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | Johannes Brahms, David Zinman | E Major | 0 | 12B | 92 BPM | ||
Concerto for Orchestra, Sz. 116: I. Introduzione (Andante non troppo - Allegro vivace) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
L'Oiseau de feu, K010: I. Introduction | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | E Minor | 0 | 9A | 102 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: I. Allegro vivo appassionato | Bedřich Smetana, Pavel Haas Quartet | E Minor | 1 | 9A | 84 BPM | ||
Stravinsky: The Rite of Spring, Pt. 1 "Adoration of the Earth": Introduction - Augurs of Spring - Dances of the Young Girls - Ritual of Abduction | Igor Stravinsky, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 103 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM |
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