"Violin Concerto in D Major, Op. 3, No. 7: II. Largo" by Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' was released on November 1, 2013. The duration of Violin Concerto in D Major, Op. 3, No. 7: II. Largo is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Violin Concerto in D Major, Op. 3, No. 7: II. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 30 in the song's album "Tessarini: 10 Concerti a piu istrumenti". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Italy. In terms of popularity, Violin Concerto in D Major, Op. 3, No. 7: II. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in D Major, Op. 3, No. 7: II. Largo by Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sammartini: Recorder Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
Sinfonia to Il Giardino di Amore: III. Allegro | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 130 BPM | ||
Hollensteiner Jodler - 2009 | Salzburger Adventsingen, Salzburger Geigenmusik | C Major | 0 | 8B | 125 BPM | ||
Su le sponde del Tebro: Sinfonia | Alessandro Scarlatti, Ruth Ziesak, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 130 BPM | ||
Harpsichord Concerto in A Major: III. Giga: Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A Major | 3 | 11B | 106 BPM | ||
Concerto in D Major, TWV 51: D7: III. Grave | Georg Philipp Telemann, Rex Richardson, Classic FM Radio Orchestra, Grigor Palikarov | D Major | 2 | 10B | 103 BPM | ||
Sinfonia a quattro: I. Allegro assai | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Partenio, Ouverture (1738): I. (Without indication) | Francesco Maria Veracini, Neue Düsseldorfer Hofmusik, Mary Utiger | E Major | 1 | 12B | 82 BPM |
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