"Vier kurze Studien (Four short Studies) for Violoncello solo (1970)" by Bernd Alois Zimmermann, Siegfried Palm was released on January 1, 2002. The duration of Vier kurze Studien (Four short Studies) for Violoncello solo (1970) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Vier kurze Studien (Four short Studies) for Violoncello solo (1970)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Siegfried Palm, Aloys Kontarsky's "Intercomunicazione - Cello Recital" album is number 5 out of 9. In terms of popularity, Vier kurze Studien (Four short Studies) for Violoncello solo (1970) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Vier kurze Studien (Four short Studies) for Violoncello solo (1970) by Bernd Alois Zimmermann, Siegfried Palm to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer Night - Suite from 'The Duenna', Op. 123: 1. Introduction | Bournemouth Symphony Orchestra, Paavo Berglund | C Major | 3 | 8B | 110 BPM | ||
Alcazaba II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | D Minor | 0 | 7A | 75 BPM | ||
Cancer - L'abitatore delle acque premordiali | Alessandra Garosi, Adam Simmons, David Jones | E♭ Minor | 0 | 2A | 85 BPM | ||
Alchymia: II. The Woods So Wild | Thomas Adès, Mark Simpson, Quatuor Diotima | C Major | 1 | 8B | 78 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
Collage über B-A-C-H: I. Toccata | Arvo Pärt, Amsterdam Sinfonietta, Candida Thompson | B♭ Major | 2 | 6B | 124 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 16: II. Scherzo. Vivace | Sergei Prokofiev, Andrei Korobeinikov, Ural Philharmonic Orchestra, Dmitry Liss | B Minor | 2 | 10A | 124 BPM | ||
Les points cardinaux: II. | Jean-Jacques Charles, Julien Chabod, Pierre Rémondière, Julien Gernay | A Minor | 1 | 8A | 130 BPM | ||
Messiaen: Éclairs sur l'au-delà...: VII. Et Dieu essuiera toute larme de leurs yeux | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | C Major | 1 | 8B | 93 BPM | ||
Speaking Drums: I. Tanzlied / Dance Songs | Peter Eötvös, Orchestre Philharmonique de Radio France, Martin Grubinger | F♯ Major | 2 | 2B | 134 BPM |
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