Jan Dismas Zelenka, Freiburger Barockorchester, Gottfried Von Der Goltz's 'Sinfonia à 8 in A Minor, ZWV 189: II. Andante' came out on 1990. The duration of Sinfonia à 8 in A Minor, ZWV 189: II. Andante is about 3 minutes long, at 3:06. Based on our data, "Sinfonia à 8 in A Minor, ZWV 189: II. Andante" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 11 out of 183 in Freiburger Barockorchester-Edition by Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sinfonia à 8 in A Minor, ZWV 189: II. Andante's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia à 8 in A Minor, ZWV 189: II. Andante by Jan Dismas Zelenka, Freiburger Barockorchester, Gottfried Von Der Goltz is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
Buxtehude: Membra Jesu nostri, BuxWV 75: VI. Ad cor. "Vulnerasti cor meum" | Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Monika Frimmer, Peter Kooij, Knabenchor Hannover, Amsterdam Baroque Orchestra | C Minor | 0 | 5A | 69 BPM | ||
Missa Tempore Quadragesimae, MH 553: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 91 BPM | ||
6 Sonatas, ZWV 181, No. 3 in B-Flat Major: III. Largo | Jan Dismas Zelenka, Paul Dombrecht, Danny Bond, Chiara Banchini, Richte Van Der Meer, Robert Kohnen | D♭ Minor | 5 | 12A | 132 BPM | ||
Kuhnau: Magnificat in C Major: I. Chorus. "Magnificat" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Sonata No. 6 in C Minor, ZWV 181, 6: IV. Allegro | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | C Minor | 2 | 5A | 123 BPM | ||
Concerto à otto stromenti in D Major: II. Largo | Francesco Maria Veracini, Chouchane Siranossian, Venice Baroque Orchestra, Andrea Marcon | B Minor | 1 | 10A | 109 BPM | ||
Dixit Dominus, RV 595: Gloria Patri: Andante | Antonio Vivaldi, Jane Archibald, Michele de Boer, Nils Brown, Anita Krause, Peter Mahon, Giles Tomkins, Aradia Chorus, Aradia Ensemble, Kevin Mallon | F Minor | 1 | 4A | 134 BPM | ||
Cavatina da capo: Se d'un Dio fui fatta Madre | Giovanni Battista Ferrandini, Il Giardino Armonico, Giovanni Antonini, Bernarda Fink | B Minor | 1 | 10A | 69 BPM |
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