Michael Nyman, Valentina Lisitsa's 'Gattaca: The Departure' came out on January 1, 2014. The duration of Gattaca: The Departure is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Gattaca: The Departure's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 25 in Chasing Pianos - The Piano Music Of Michael Nyman by Michael Nyman, Valentina Lisitsa. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Gattaca: The Departure is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gattaca: The Departure by Michael Nyman, Valentina Lisitsa is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Canciones populares españolas (Arr. E. Desimpelaere for Double Bass & Piano): No. 5, Nana | Manuel de Falla, David Desimpelaere, Erik Desimpelaere | A Major | 0 | 11B | 76 BPM | ||
The Hours: The Hours (Arr. Michael Riesman) | Philip Glass, Valentina Lisitsa | F Major | 0 | 7B | 65 BPM | ||
Gaspard de la nuit, M. 55: 2. Le Gibet | Maurice Ravel, Alice Sara Ott | E♭ Major | 0 | 5B | 66 BPM | ||
The Piano: Here To There | Michael Nyman, Valentina Lisitsa | C Major | 4 | 8B | 125 BPM | ||
The Piano: The Heart Asks Pleasure First | Michael Nyman, Valentina Lisitsa | A Minor | 0 | 8A | 159 BPM | ||
La naissance de Vénus, LWV 27, Pt. 2: Grand dieu des enfers (Arr. G. Tailleferre for Piano) | Jean-Baptiste Lully, Nicolas Horvath | B Major | 2 | 1B | 108 BPM | ||
La Melancolie (Arr. for Violin and Orchestra from Moments of Solitude by Ben Palmer) | Ole Bull, Eldbjørg Hemsing, Arctic Philharmonic | D Minor | 2 | 7A | 91 BPM | ||
Mein Weg | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | B♭ Major | 0 | 6B | 90 BPM | ||
String Quartet No. 1 in D Minor: III. Adagio | Nancy Dalberg, Nordic String Quartet, Heiðrun Petersen, Mads Haugsted Hansen, Daniel Eklund, Lea Emilie Brøndal | G Minor | 0 | 6A | 104 BPM | ||
Faust / Episode 2: Nachspiel | Karsten Gundermann, Daniel Hope, Deutsches Kammerorchester Berlin, Simon Halsey | C Major | 0 | 8B | 81 BPM |
Section: 0.7491066455841064
End: 0.7529683113098145