- BPM
- 179
- Key
- F Minor
- Camelot
- 4A
Suite Antique for flute, strings and harpsichord: Aria - John Rutter, Arco Baleno Ensemble Information
- Acousticness
- 99%
- Danceability
- 10%
- Energy
- 7%
- Instrumentalness
- 85%
- Liveness
- 13%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 6%
- Popularity
- 4%
- Loudness
- -21.913 dB
Summary
"Suite Antique for flute, strings and harpsichord: Aria" by John Rutter, Arco Baleno Ensemble was released on January 1, 2000. The duration of Suite Antique for flute, strings and harpsichord: Aria is about 3 minutes long, at 3:13. Based on our data, "Suite Antique for flute, strings and harpsichord: Aria" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 18 in Britannia: Music for flute, strings and harpsichord by British composers by Arco Baleno Ensemble. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of Suite Antique for flute, strings and harpsichord: Aria is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suite Antique for flute, strings and harpsichord: Aria BPM
The tempo marking of Suite Antique for flute, strings and harpsichord: Aria by John Rutter, Arco Baleno Ensemble is Presto (very, very fast), since this song has a tempo of 179 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
Suite Antique for flute, strings and harpsichord: Aria Key
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Clarinet Concerto No. 1 in C Minor, Op. 26: II. Adagio | Louis Spohr, Karl Leister, Radio Sinfonieorchester Stuttgart des SWR, Rafael Frühbeck de Burgos | A♭ Major | 0 | 4B | 73 BPM | |
 | Carnaval des Animaux, Aquarium | Camille Saint-Saëns, Arco Baleno Ensemble | C Major | 1 | 8B | 80 BPM | |
 | Balletts to Five Voyces, Book 1: Now is the month of maying | Thomas Morley, The Cambridge Singers, John Rutter | A Major | 1 | 11B | 106 BPM | |
 | 24 Flute Etudes, Op. 15: No. 3 in G Major | Joachim Andersen, Kyle Dzapo | G Major | 0 | 9B | 76 BPM | |
 | Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | |
 | Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | |
 | Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro | Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester Basel | A Major | 1 | 11B | 99 BPM | |
 | Four Fancies for flute and string trio: Gavotte | Gordon Jacob, Arco Baleno Ensemble | F Minor | 1 | 4A | 143 BPM | |
 | 3 Romanzen, Op. 94: II. Einfach, innig | Robert Schumann, Céline Moinet, Florian Uhlig | A Major | 5 | 11B | 73 BPM | |
 | Sinfonia in G Major: I. Allegro | Frederick the Great, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | D Major | 1 | 10B | 131 BPM |
- ISRC
- FR0O70810841
- Label
- L-M Records/RCA Records
Section: 1.0619735717773438
End: 1.0657377243041992