On June 1, 2003, the song "Balletts to Five Voyces, Book 1: Now is the month of maying" was released by Thomas Morley, The Cambridge Singers, John Rutter. The duration of Balletts to Five Voyces, Book 1: Now is the month of maying is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Balletts to Five Voyces, Book 1: Now is the month of maying's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 25 in Flora Gave Me Fairest Flowers - Elizabethan Madrigals by The Cambridge Singers, John Rutter. In terms of popularity, Balletts to Five Voyces, Book 1: Now is the month of maying is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Balletts to Five Voyces, Book 1: Now is the month of maying by Thomas Morley, The Cambridge Singers, John Rutter is Andante (at a walking pace), since this song has a tempo of 106 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alfons V El Magnànim: Adoramus te (4v.) (El Cancionero de Montecassino, Música Religiosa) | La Capella Reial De Catalunya | E Minor | 0 | 9A | 114 BPM | ||
Tout par compas, Fol. 12 (Rondeau/Canon) | Baude Cordier, Tetraktys | E Minor | 9 | 9A | 135 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
Susato: 12 Dances from The Danserye: I. La Mourisque | Tylman Susato, Early Music Consort Of London | C Major | 6 | 8B | 87 BPM | ||
Miserere mei, Z. 109 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 66 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Burial Service: II. In the Midst of Life | Thomas Morley, Michael Bawtree, Annabell McLauchlan, David Rowland | G Minor | 0 | 6A | 110 BPM | ||
Textless Carmen | Piffaro | D Major | 0 | 10B | 115 BPM |
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