Ora Bat Chaim, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki, Giora Feidman's 'Playfulness' came out on May 16, 2011. The duration of Playfulness is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Playfulness's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ora Bat Chaim, Giora Feidman, Vladislav Czarnecki, Südwestdeutsches Kammerorchester Pforzheim's "Love (Feidman Plays Ora Bat Chaim)" album is number 7 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Playfulness's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Playfulness by Ora Bat Chaim, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki, Giora Feidman to be Allegro (fast, quick, and bright) because the track has a tempo of 146 BPM, a half-time of 73BPM, and a double-time of 292 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danses Imaginàries III. Dansa de Primavera | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
紫の炎 | Ritchie Blackmore, Jon Lord, イアン・ペイス, デイヴィッド・カヴァデール, 石田組 | A Minor | 2 | 8A | 79 BPM | ||
Graças Dou a Ti, Ó Bom Deus | CCB | E♭ Major | 0 | 5B | 97 BPM | ||
Fast Blue Village | Spark, Wallis Bird | D Major | 4 | 10B | 110 BPM | ||
¡Buenos Días, Marco! For my youngest son | Janoska Ensemble | B♭ Major | 2 | 6B | 107 BPM | ||
Traditional: Firn di Mekhutonim | Naftule Brandwein, Itzhak Perlman | G Major | 1 | 9B | 80 BPM | ||
Banish Sorrow | Gavin Bryars, Ida Toninato, Jennifer Thiessen, Jean-Christophe Lizotte, Njo Kong Kie | F Major | 1 | 7B | 102 BPM | ||
Caesar's Palace Blues (Arr. for String Orchestra) | Eddie Jobson, John Wetton, Ishidagumi, Yasunao Ishida | D Major | 5 | 10B | 157 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Lento assai) | Robert Schumann, Dresdner Philharmonie, Marek Janowski | A Minor | 0 | 8A | 81 BPM | ||
Caruso | Elena Somare' | G Minor | 0 | 6A | 68 BPM |
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