Janoska Ensemble's '¡Buenos Días, Marco! For my youngest son' had a release date set for August 5, 2022. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "The Big B's". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Austria. In terms of popularity, ¡Buenos Días, Marco! For my youngest son is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With ¡Buenos Días, Marco! For my youngest son by Janoska Ensemble having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Tema variato - Variazione I - Variazione II - Variazione III - Finale - Allegro | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | G Major | 1 | 9B | 79 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, 東 亮汰, 髙木竜馬 | E Major | 1 | 12B | 89 BPM | ||
Sonate pour flûte et piano, FP 164: III. Presto giocoso | Francis Poulenc, Mathilde Calderini, Aurèle Marthan | A Major | 3 | 11B | 82 BPM | ||
Tambourin in C Major | Jean-Marie Leclair, Patricia Kopatchinskaja, Sol Gabetta | C Minor | 2 | 5A | 144 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Tema con variazione. Andantino (Excerpt) | Franz Schubert, Istvan Toth, Jenő Jandó, Kodály Quartet | D Major | 1 | 10B | 165 BPM | ||
6 Pieces, Op. 79: No. 6, Berceuse | Jean Sibelius, Cecilia Ziano, Alessandro Stella | D♭ Minor | 0 | 12A | 92 BPM | ||
Danza & Procesión | Leonardo Lucero, Maxi Luna, Cuarteto Arpeggiado | G Major | 1 | 9B | 127 BPM | ||
L’amour c’est comme un jour (Arr. for Cello and Orchestra by Martin Ulikhanyan) | Camille Thomas, Sergey Smbatyan, Armenian State Symphony Orchestra | F Major | 1 | 7B | 85 BPM | ||
Musette Pour Fritz | Frantisek Janoska, Janoska Ensemble | F Minor | 3 | 4A | 67 BPM |