"Today The Virgin Gives Birth to Him Who Is Above All Being" by Trad. Old Russian, Chamber Choir, Lege Artis, Boris Abalyan had its release date on January 1, 2003. The duration of This song is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Today The Virgin Gives Birth to Him Who Is Above All Being's duration is considered a little bit shorter than the average duration of a typical track. This song is part of We Glorify You With Love by Trad. Old Russian, Chamber Choir, Lege Artis, Boris Abalyan. The song's track number on the album is #18 out of 23 tracks. Based on our data, France was the country where this track was produced or recorded. In terms of popularity, Today The Virgin Gives Birth to Him Who Is Above All Being is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Today The Virgin Gives Birth to Him Who Is Above All Being by Trad. Old Russian, Chamber Choir, Lege Artis, Boris Abalyan has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Today The Virgin Gives Birth to Him Who Is Above All Being being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funeral Ikos | John Tavener, Owain Park, The Gesualdo Six | A♭ Major | 1 | 4B | 73 BPM | ||
Communion Hymn of Pascha - S. Trubachev | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | B Minor | 0 | 10A | 129 BPM | ||
Aranyágom | Lovász Irén | A Minor | 0 | 8A | 99 BPM | ||
Hymne: Sanctòrum Méritis | Coro Francescano di Assisi | F♯ Major | 0 | 2B | 127 BPM | ||
Ad Matutinum: Lectio. Itaque convenit | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | D Minor | 2 | 7A | 116 BPM | ||
Cunctipotens Genitor Deus | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
10 Vespers | Concordia Publishing House, Seminary Kantorei of Concordia Theological Seminary | D Major | 1 | 10B | 102 BPM | ||
Quasi Modo Geniti - VI modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A Minor | 1 | 8A | 133 BPM | ||
Il Pastor Fido, HWV 8b: Ballo | George Frideric Handel, Katalin Farkas, Derek Lee Ragin, Chamber Choir, Capella Savaria, Nicholas McGegan | F Minor | 2 | 4A | 153 BPM | ||
Missa: Kyrie (Pater Cuncta), Modo VIII | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | C Major | 1 | 8B | 129 BPM |