"Ad Matutinum: Lectio. Itaque convenit" by Etienne de Liège, Psallentes, Hendrik Vanden Abeele was released on 2006. The duration of Ad Matutinum: Lectio. Itaque convenit is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Ad Matutinum: Lectio. Itaque convenit's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 20 in De Liège: In festo sanctissimae trinitatis by Etienne de Liège, Psallentes, Hendrik Vanden Abeele. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. In terms of popularity, Ad Matutinum: Lectio. Itaque convenit is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ad Matutinum: Lectio. Itaque convenit by Etienne de Liège, Psallentes, Hendrik Vanden Abeele is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 5/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Livre de Job : Répons. Paucitas diérum meorum | Choeur grégorien de Paris | C Major | 1 | 8B | 74 BPM | ||
Laetentur Caeli | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes | A Major | 0 | 11B | 127 BPM | ||
Missa In Dedicatione Ecclesiae. Ad Laudes: Agnus Dei, Modo II | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | F♯ Major | 0 | 2B | 109 BPM | ||
Prelude | Stuart Beatch, The Fourth Choir, Dominic Ellis-Peckham | C Major | 1 | 8B | 61 BPM | ||
Custódes hóminum | Gloriae Dei Cantores, Kathy Schuman, Elizabeth C. Patterson | F♯ Major | 1 | 2B | 130 BPM | ||
Responsorium II: O vos Imitatores excelsae personae (VI) | Hildegard von Bingen, Ensemble San Felice, Federico Bardazzi, Barbara Zanichelli, Adele Bardazzi, Elena Sartori | D Major | 0 | 10B | 81 BPM | ||
Benedicta Sit - VIII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | D♭ Major | 1 | 3B | 102 BPM | ||
Adorate Deum - VII modo | Schola Gregoriana Mediolanensis & Giovanni Vianini | A♭ Major | 1 | 4B | 162 BPM | ||
Dum medium (Nativitas) | Coro dei monaci dell'Abbazia di Chiaravalle milanese, Giuseppe Gaffurini | F Major | 1 | 7B | 132 BPM | ||
Christus factus est | Pro Cantione Antiqua | B Major | 0 | 1B | 134 BPM |
Section: 0.5402097702026367
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