Grupo de musica barroca La Folia/Pedro Bonet made "Balletto N. 2 En Sol Mayor - Iii. Corrente (Giacomo Facco)" available on 2004. With Balletto N. 2 En Sol Mayor - Iii. Corrente (Giacomo Facco) being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Grupo de musica barroca La Folia/Pedro Bonet's "Musica en la corte de Felipe V y de los Borbones" album is number 14 out of 35. Based on our statistics, Balletto N. 2 En Sol Mayor - Iii. Corrente (Giacomo Facco)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Balletto N. 2 En Sol Mayor - Iii. Corrente (Giacomo Facco) by Grupo de musica barroca La Folia/Pedro Bonet to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | B♭ Minor | 1 | 3A | 112 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
La Noce Champêtre ou L'Himen Pastoral: III. Ouverture (le Festin) | Jean Hotteterre, Dorothee Oberlinger | B Major | 3 | 1B | 49 BPM | ||
Burlesquer Suite - I. Intrada (Spirituoso) (Gerog Philipp Teleman) | Grupo de musica barroca La Folia/Pedro Bonet | E Major | 0 | 12B | 99 BPM | ||
Trio Sonata in D Major, D01: I. Allegro | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Minor | 0 | 1A | 78 BPM | ||
Adson's Masque | John Adson, Dorothee Oberlinger | G Minor | 2 | 6A | 130 BPM | ||
Sonata a tre in re maggiore: III. Vivace | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 2 | 3B | 183 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Violin Sonata in G Minor, Op. 2 No. 3: I. Adagio | Michele Mascitti, Fabrizio Cipriani, Antonio Fantinuoli | B Major | 2 | 1B | 111 BPM | ||
Armide, LWV 71, Act V Scene 1: Passacaille | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Minor | 1 | 4A | 131 BPM |
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