24 Exercises, Op. 35: No. 12, Andantino moderato
Fernando Sor, Enea Leone
Sor: Complete Studies for Guitar
1:20 August 8, 2014
BPM
134
Key
C Major
Camelot
8B

Embed

Share Link

24 Exercises, Op. 35: No. 12, Andantino moderato - Fernando Sor, Enea Leone Information

Acousticness
100%
Danceability
33%
Energy
11%
Instrumentalness
93%
Liveness
11%
Loudness
50%
Speechiness
6%
Valence
34%
Popularity
Loudness
-30.272 dB

Summary

Fernando Sor, Enea Leone's '24 Exercises, Op. 35: No. 12, Andantino moderato' came out on August 8, 2014. With 24 Exercises, Op. 35: No. 12, Andantino moderato being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 121 in the song's album "Sor: Complete Studies for Guitar". In this album, this song's track order is #36. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, 24 Exercises, Op. 35: No. 12, Andantino moderato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

24 Exercises, Op. 35: No. 12, Andantino moderato BPM

With 24 Exercises, Op. 35: No. 12, Andantino moderato by Fernando Sor, Enea Leone having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

24 Exercises, Op. 35: No. 12, Andantino moderato Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Homenaje a Tarrega by Emilio Pujol, Claudio MarcotulliHomenaje a TarregaEmilio Pujol, Claudio MarcotulliD Major010B82 BPM
Suite Del Recuerdo/Evocacion by Jose Luis MerlinSuite Del Recuerdo/EvocacionJose Luis MerlinE Minor19A109 BPM
Guitar Sonata, Op. 21, No. 2: III. Allegretto by Ferdinando Carulli, Richard SavinoGuitar Sonata, Op. 21, No. 2: III. AllegrettoFerdinando Carulli, Richard SavinoD Major210B149 BPM
Canción y danza: Danza No. 1 by Antonio Ruiz Pipó, Wolfgang WeigelCanción y danza: Danza No. 1Antonio Ruiz Pipó, Wolfgang WeigelD Major210B118 BPM
5 Bagatelles: III. Alla Cubana by William Walton, Ana Vidovic5 Bagatelles: III. Alla CubanaWilliam Walton, Ana VidovicB Minor110A74 BPM
El Maestro: Pavan No. 1 by Philip HemmoEl Maestro: Pavan No. 1Philip HemmoG Major29B100 BPM
Estudio de trémolo by Joaquin Clerch, Andrea González CaballeroEstudio de trémoloJoaquin Clerch, Andrea González CaballeroA Minor18A89 BPM
Carcassi Op.60 N.4 Allegretto by Matteo Carcassi, Lucio MatarazzoCarcassi Op.60 N.4 AllegrettoMatteo Carcassi, Lucio MatarazzoD Major410B98 BPM
Koyunbaba, Op. 19: III. Cantabile by Carlo Domeniconi, Celil Refik KayaKoyunbaba, Op. 19: III. CantabileCarlo Domeniconi, Celil Refik KayaF♯ Minor011A116 BPM
Jésus que ma joie demeure, BWV 147: Chorale prélude by Judicaël PerroyJésus que ma joie demeure, BWV 147: Chorale préludeJudicaël PerroyG Major09B74 BPM
ISRC
NLY331405172
Label
L-M Records/RCA Records

Section: 0.5613837242126465

End: 0.5658245086669922