Antonio Ruiz Pipó, Wolfgang Weigel made "Canción y danza: Danza No. 1" available on August 28, 2020. With Canción y danza: Danza No. 1 being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 23 in the song's album "Ruiz-Pipó: Works with Guitar, Vol. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Canción y danza: Danza No. 1 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Canción y danza: Danza No. 1 by Antonio Ruiz Pipó, Wolfgang Weigel having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Beautés Du Diable | François Dompierre, Angèle Dubeau | E Minor | 1 | 9A | 132 BPM | ||
Canarios: Canarios | Giovanni Girolamo Kapsberger, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | ||
Heavenly Bird (Arr. for Guitar) | Xuefei Yang | E Minor | 0 | 9A | 90 BPM | ||
Giuliani: Études for Guitar, Le papillon, Larghetto Op. 50, No. 7 | Mauro Giuliani, Elena Casoli | A Minor | 3 | 8A | 130 BPM | ||
Notenbüchlein für Anna Magdalena Bach (Arr. for guitar A. Lagoya): 5. Menuet in G minor, Anh.115 | Christian Petzold, Alexandre Lagoya | G Minor | 2 | 6A | 117 BPM | ||
8 Nachstücke: No. 1, Chimären des Zweifels | Klaus Hinrich Stahmer, Wolfgang Weigel, Klaus Heitz, Robert Aitken | C Major | 0 | 8B | 79 BPM | ||
Sainz de la Maza: El Vito | Regino Sáinz de la Maza, Thibaut García | A Minor | 2 | 8A | 103 BPM | ||
Farewell to Stromness (arr. T. Walker) | Peter Maxwell Davies, Timothy Walker, Graham Anthony Devine | D Major | 0 | 10B | 81 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
To John | Antonio Ruiz Pipó, Wolfgang Weigel | D Major | 0 | 10B | 89 BPM |
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