Brett Dean, Jonathan Biss, Swedish Radio Symphony Orchestra, David Afkham's 'Piano Concert "Gneixendorf Music - A Winter Journey": I. Gneixendorf? That Sounds Like a Breaking Axle! - Live' came out on April 26, 2024. Piano Concert "Gneixendorf Music - A Winter Journey": I. Gneixendorf? That Sounds Like a Breaking Axle! - Live appears to be safe for all ages as it is not explicit. The song is number 4 out of 6 in Beethoven/5, Vol. 1 (Live) by Jonathan Biss, Swedish Radio Symphony Orchestra, David Afkham. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Piano Concert "Gneixendorf Music - A Winter Journey": I. Gneixendorf? That Sounds Like a Breaking Axle! - Live's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concert "Gneixendorf Music - A Winter Journey": I. Gneixendorf? That Sounds Like a Breaking Axle! - Live by Brett Dean, Jonathan Biss, Swedish Radio Symphony Orchestra, David Afkham is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Fascinating Night | Winfred Jeremiah | E Major | 0 | 12B | 112 BPM | ||
Epitaphs: III. Der Philosoph | Brett Dean, Doric String Quartet | F Major | 0 | 7B | 74 BPM | ||
Estampes: No. 1. Pagodes (arr. A. Caplet): Pagodes | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | D♭ Minor | 1 | 12A | 95 BPM | ||
String Quartet No. 1, Mvnt. IV. | James William Ricci, QX String Quartet | C Major | 1 | 8B | 174 BPM | ||
Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" | Brett Dean, Amanda Holden, Opera Australia Orchestra, Elgar Howarth | E♭ Minor | 3 | 2A | 101 BPM | ||
Piano Sonata No. 4 "Vida breve" | Stephen Hough | C Major | 0 | 8B | 68 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Pelléas et Mélisande Suite, Op. 80: II. Fileuse | Gabriel Fauré, Orchestre de Chambre de Lausanne, Renaud Capuçon | D Major | 0 | 10B | 95 BPM | ||
Femina Feminae VI. L'ecole Buissonière | Gerard Pastor, Marta Urzaiz | B Minor | 3 | 10A | 103 BPM | ||
Konzertmusik, Op. 48: III. Lebhaft | Paul Hindemith, Brett Dean, Queensland Symphony Orchestra, Werner Andreas Albert | F Major | 2 | 7B | 145 BPM |
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