Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" - Brett Dean, Amanda Holden, Opera Australia Orchestra, Elgar Howarth Information

Acousticness: 94%
Danceability: 16%
Energy: 31%
Instrumentalness: 64%
Liveness: 15%
Loudness: 73%
Speechiness: 4%
Valence: 5%
Popularity: 1%
Loudness: -16.374 dB

Summary

"Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening"" by Brett Dean, Amanda Holden, Opera Australia Orchestra, Elgar Howarth was released on June 12, 2015. With Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 16 out of 44 in Bliss by Amanda Holden, Brett Dean, Opera Australia. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" BPM

The tempo marking of Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" by Brett Dean, Amanda Holden, Opera Australia Orchestra, Elgar Howarth is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bliss, Act II, "The Heart-Throb Hotel": Interlude III, "Hotel Room - Awakening" Key

E♭ Minor is the music key of this track. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

	Track	Artist	Key	Energy	Camelot	BPM
	Élégie, L. 146 (Arr. For Cello And Piano By Olivier Hébert-Bouchard)	Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard	A♭ Major	0	4B	170 BPM
	Bliss, Act I, Scene 2, "Limbo": "Welcome to Hell, Father!"	Brett Dean, Amanda Holden, Peter Coleman-Wright, Shane Lowrencev, Opera Australia Orchestra, Elgar Howarth	B♭ Major	3	6B	82 BPM
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	Release the (Fruit) Bats	David Whatson	E Major	1	12B	103 BPM
	Orchestral Variations - 'The Seeds Long Hidden': Variation 5	Anthony Payne, BBC Symphony Orchestra, Martyn Brabbins	B♭ Minor	1	3A	73 BPM
	Cherry Ripe	Frank Bridge, Budapest Strings, Karoly Botvay	G Major	2	9B	144 BPM
$Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves by Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard$	Music of the Spheres, BVN 128: IV. Like the Refraction of Sunbeams in the Waves	Rued Langgaard, Danish National Symphony Orchestra, Thomas Dausgaard	D Major	2	10B	168 BPM
	D’un cahier d’esquisses, L.112 (Arr. For Cello And Piano By Olivier Hébert-Bouchard)	Claude Debussy, Stéphane Tétreault, Olivier Hébert-Bouchard	A♭ Major	0	4B	170 BPM
	Duos for Flute and Clarinet, Op. 24: No. 1, Andante sostenuto	Robert Muczynski, Séverine Rospocher, Elvira Querol	F Minor	1	4A	137 BPM
	String Quintet in F Major, Op. 88: I. Allegro non troppo ma con brio	Johannes Brahms, Brett Dean, Brandis Quartet	F Major	0	7B	83 BPM

ISRC: AUU831200016
Label: L-M Records/RCA Records

Section: 0.6673998832702637

End: 0.6722354888916016