"Vos quid admiramini / Gratissima / Gaude gloriosa" by Philippe de Vitry, Estampie was released on January 1, 2007. The duration of Vos quid admiramini / Gratissima / Gaude gloriosa is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Vos quid admiramini / Gratissima / Gaude gloriosa's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Estampie's "Hildegard Of Bingen: Ave Generosa / Oswald Von Wolkenstein: Ave Mater, O Maria / Riquier, G.: Humils, Forfaitz, Repres E Penedens" album is number 10 out of 15. On top of that, Germany appears to be the country where this track was created. Vos quid admiramini / Gratissima / Gaude gloriosa is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vos quid admiramini / Gratissima / Gaude gloriosa by Philippe de Vitry, Estampie to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una sarao de la chacona, "A la vida bona" | Juan Arañés, Piffaro | F♯ Major | 2 | 2B | 140 BPM | ||
In virtute nominum Decens carmen edere, Clamor meus | Philippe de Vitry, Vokalensemble NOVA | B Minor | 1 | 10A | 93 BPM | ||
Danse [I] | Le Manuscrit du Roi, Jordi Savall, Hespèrion XXI | E Minor | 1 | 9A | 120 BPM | ||
Cantate Domino a 6, C. 6 | Giovanni Gabrieli, Gesualdo Consort Amsterdam, Wim Becu | B Major | 1 | 1B | 65 BPM | ||
Aman novi probatur - Heu, fortuna subdola (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | D Major | 1 | 10B | 61 BPM | ||
Good Friday Responsories, Second and Third Nocturns: II. Tenebræ factæ sunt | Tomás Luis de Victoria, Stile Antico | F Minor | 0 | 4A | 63 BPM | ||
Kyrie, JD 1 | John Dunstable, Tonus Peregrinus, Antony Pitts | A♭ Minor | 3 | 1A | 81 BPM | ||
Missa pro Defunctis (1544): Kyrie | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 91 BPM | ||
Viderunt omnes: ...Dominus... | Pérotin, Tonus Peregrinus, Antony Pitts | D♭ Major | 4 | 3B | 72 BPM | ||
O gemma, lux et speculum - Sacer pastor Barensium (Franco-Flemish Polyphony) | Guillaume Dufay, Paul Van Nevel, Huelgas Ensemble | D Minor | 1 | 7A | 75 BPM |
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