Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" - Wolfgang Amadeus Mozart, Birgit Nilsson, Orchestra Of The National Theatre Prague, Karl Böhm Information

Acousticness: 98%
Danceability: 69%
Energy: 13%
Instrumentalness: 0%
Liveness: 14%
Loudness: 58%
Speechiness: 33%
Valence: 15%
Popularity: 1%
Loudness: -25.082 dB

Summary

"Don Giovanni, K.527 / Act 1: "Or sai chi l'onore"" by Wolfgang Amadeus Mozart, Birgit Nilsson, Orchestra Of The National Theatre Prague, Karl Böhm was released on August 1, 1967. The duration of Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Don Giovanni, K.527 / Act 1: "Or sai chi l'onore"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Orchestre du Théatre National de Prague, Karl Böhm's "Mozart: Don Giovanni" album is number 23 out of 63. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" is currently not that popular. Although the overall vibe is very danceable, it does project more negative sounds.

Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" BPM

We consider the tempo marking of Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" by Wolfgang Amadeus Mozart, Birgit Nilsson, Orchestra Of The National Theatre Prague, Karl Böhm to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.

Don Giovanni, K.527 / Act 1: "Or sai chi l'onore" Key

The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato	Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig	E♭ Major	1	5B	113 BPM
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo	Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana	D Major	1	10B	78 BPM
Piano Sonata No. 8 in A Minor, K. 310: II. Andante cantabile con espressione	Wolfgang Amadeus Mozart, Glenn Gould	F Major	1	7B	77 BPM
Sonata No. 5 in A Major, Op. 17, No. 5: I. Allegro	Johann Christian Bach, Daniil Trifonov	A Major	1	11B	135 BPM
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen	Robert Schumann, Martha Argerich	G Major	0	9B	128 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile	Franz Joseph Haydn, Alban Berg Quartett	B♭ Major	1	6B	101 BPM
Nocturne No.6 In G Minor, Op.15 No.3	Frédéric Chopin, Maurizio Pollini	D Minor	0	7A	105 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Requiem in D Minor, K. 626: 7. Agnus Dei - Live	Wolfgang Amadeus Mozart, Karita Mattila, Sara Mingardo, Michael Schade, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen	F Major	1	7B	108 BPM
Mozart: Concerto for 2 Pianos No. 10 in E-Flat Major, K. 365: II. Andante	Wolfgang Amadeus Mozart, Martha Argerich, Alexandre Rabinovitch, Jörg Faerber, Württembergisches Kammerorchester Heilbronn	G Major	1	9B	83 BPM

ISRC: DEF056730047
Label: L-M Records/RCA Records

Section: 0.7211763858795166

End: 0.7250316143035889