"In diesen heil´gen Hallen (Die Zauberflöte)" by Ivar Andrésen, Orchester Der Staatsoper Berlin had its release date on September 2, 2006. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. In diesen heil´gen Hallen (Die Zauberflöte)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Ivar Andrésen's "Lebendige Vergangenheit - Ivar Andrésen" album is number 2 out of 15. On top of that, Austria appears to be the country where this track was created. In diesen heil´gen Hallen (Die Zauberflöte) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of In diesen heil´gen Hallen (Die Zauberflöte) by Ivar Andrésen, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O God Our Help | Alexa Lithgow, Alexa¬†Lithgow, Band of the Royal Regiment of New Zealand Artillery | B♭ Major | 1 | 6B | 77 BPM | ||
Duchess of Kent | Traditional, The Regimental Band of the Coldstream Guards, Major T.L. Sharpe | E♭ Major | 2 | 5B | 58 BPM | ||
Zivio: Marsch, Op. 456 | Johann Strauss II, Vienna Walzer Orchestra, Sandro Cuturello | C Major | 6 | 8B | 122 BPM | ||
The Merry Widow / Act 1: March from Introduction - Duet: A Highly Respectable Wife | Franz Lehár, Valerie Masterson, John Brecknock, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 89 BPM | ||
Marxa de la Patum - Banda simfònica | Joan Baptista Lambert, Cobla Berga Jove | F Major | 5 | 7B | 112 BPM | ||
Deus é a Minha Força | Paiva Netto, Música Legionária | C Major | 3 | 8B | 84 BPM | ||
The Greenwood Medley: Jigg / Allamande / Reel / Master Linley's Hornpipe | Colonial Williamsburg Fifes & Drums | D♭ Major | 5 | 3B | 194 BPM | ||
国民の象徴 | エドウィン・バグレー, Siena Wind Orchestra | E♭ Major | 2 | 5B | 118 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
Kurwenal! Hör´! Ein zweites Schiff (Tristan und Isolde) | Ivar Andrésen, Marcel Noe, Genia Guszalewicz, Eduard Habich, Orchester Der Staatsoper Berlin | B♭ Minor | 3 | 3A | 88 BPM |