Johann Strauss II, Otto Ackermann, Wilma Lipp, Philharmonia Orchestra, The Philharmonia Chorus's 'Die Fledermaus, Act II: Mein Herr Marquis (Adele, Chorus)' came out on January 8, 2022. The duration of Die Fledermaus, Act II: Mein Herr Marquis (Adele, Chorus) is about 3 minutes long, at 3:26. Based on our data, "Die Fledermaus, Act II: Mein Herr Marquis (Adele, Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 18 out of 24 in Casta Diva: Soprano Arias by Various Artists. Die Fledermaus, Act II: Mein Herr Marquis (Adele, Chorus) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Die Fledermaus, Act II: Mein Herr Marquis (Adele, Chorus) by Johann Strauss II, Otto Ackermann, Wilma Lipp, Philharmonia Orchestra, The Philharmonia Chorus is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waltz No. 1 in D-Flat Major, Op. 64 | Frédéric Chopin, Dubravka Tomšič | D♭ Minor | 1 | 12A | 88 BPM | ||
Polonaise No. 3 in A Major, Op. 40, No. 1 'Military' | Frédéric Chopin, Rafał Blechacz | D Minor | 2 | 7A | 139 BPM | ||
El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM | ||
Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
Danse macabre in G Minor, Op. 40 | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Keith Clark | G Minor | 2 | 6A | 116 BPM | ||
The Sorcerer's Apprentice | Philharmonia Orchestra | D♭ Major | 2 | 3B | 130 BPM | ||
Wiener Blut: Overture: Wiener Blut (Vienna Blood), Op. 354 | Strauss Festival Orchestra, Johann Strauss II | C Major | 1 | 8B | 178 BPM | ||
Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
La Damnation de Faust, Op. 24 / Part 1: Marche hongroise | Hector Berlioz, Orchestre des Concerts Lamoureux, Igor Markevitch | A Minor | 4 | 8A | 102 BPM |
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