"Wachet auf, ruft uns die Stimme" by Philipp Nicolai, Jacob Praetorius, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel was released on October 11, 2013. With this song being around four minutes long, at 3:40, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Vocal Concert Dresden, Peter Kopp, Sebastian Knebel's "Lob, Ehr und Preis sei Gott (Die schönsten deutschen Kirchenlieder)" album is number 2 out of 25. Based on our statistics, Wachet auf, ruft uns die Stimme's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wachet auf, ruft uns die Stimme by Philipp Nicolai, Jacob Praetorius, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel to be Allegro (fast, quick, and bright) because the track has a tempo of 123 BPM, a half-time of 62BPM, and a double-time of 246 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Heiland, reiß die Himmel auf | Traditional, Günther Raphael, Hans Friedrich Micheelsen, Franz Beyer, Johannes Weyrauch, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | E Minor | 1 | 9A | 102 BPM | ||
O Radiant Dawn | James MacMillan, The Sixteen / Harry Christophers, Harry Christophers | C Minor | 1 | 5A | 80 BPM | ||
Weihnachts-Oratorium, BWV 248: Part 1, Jauchzet, frohlocket! Auf, preiset die Tage - No. 4, Bereite dich, Zion, mit zärtlichen Trieben | Johann Sebastian Bach, La Petite Bande | A♭ Minor | 1 | 1A | 136 BPM | ||
Ye holy angels bright | John Darwall, St. Paul's Cathedral Choir, Malcolm Archer | D Major | 3 | 10B | 122 BPM | ||
Oratorio de Noël, Op. 12: No. 4 Domine, ego credidi | Camille Saint-Saëns, Marcus Ullmann, Romano Giefer, Vocalensemble Rastatt, Les Favorites, Holger Speck | A Minor | 0 | 8A | 172 BPM | ||
A Ceremony of Carols, Op. 28: No. 6, This little Babe | Benjamin Britten, Winchester College Quiristers, Katie Salomon, Malcolm Archer | A♭ Minor | 1 | 1A | 69 BPM | ||
Christ-Nachts-Music: No. 8, Die wahre Gnadensonne | Christian Gregor, Vocal Concert Dresden, Peter Kopp | D♭ Major | 0 | 3B | 110 BPM | ||
Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus) | The Sixteen | A♭ Major | 2 | 4B | 39 BPM | ||
Ein feste Burg ist unser Gott | Martin Luther, Johannes Eccard, Michael Praetorius, Vocal Concert Dresden, Peter Kopp, Sebastian Knebel | B♭ Major | 1 | 6B | 82 BPM | ||
The Crucifixion: Chorus. God so loved the world | John Stainer, Brian Kay, Margaret Philips, BBC Singers, Leith Hill Festival Singers | D Major | 1 | 10B | 84 BPM |
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