The Sixteen's 'Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus)' came out on September 1, 2008. The duration of Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus) is about 3 minutes long, at 3:00. Based on our data, "Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in The Sixteen's "Handel: Messiah" album is number 4 out of 56. Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah: Part 1, And the glory of the Lord shall be revealed (Chorus) by The Sixteen to be Grave (very slow) because the track has a tempo of 39 BPM, a half-time of 20BPM, and a double-time of 78 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nun danket alle Gott BWV 386 | Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | G Major | 3 | 9B | 68 BPM | ||
Gloria in D Major, RV 589: I. Gloria in excelsis Deo | Antonio Vivaldi, The Sixteen, Harry Christophers | D♭ Major | 2 | 3B | 127 BPM | ||
O Magnum Mysterium | Morten Lauridsen, Choir of New College, Oxford, Edward Higginbottom | D Major | 0 | 10B | 135 BPM | ||
A Ceremony of Carols, Op. 28: III. There Is No Rose | Benjamin Britten, The Choir Of Trinity College, Cambridge | B♭ Major | 0 | 6B | 97 BPM | ||
Gloriana, Op. 53: Choral Dances: No. 5. Rustics and Fishermen | Benjamin Britten, The Cambridge Singers, John Rutter | G Major | 2 | 9B | 80 BPM | ||
The Dettingen Te Deum: XI. Thou Sittest at the Right Hand of God | George Frideric Handel, Christopher Tipping, Harry Christophers, Michael Pearce, The English Concert, Simon Preston, The Choir Of Westminster Abbey, Trevor Pinnock | D♭ Major | 2 | 3B | 141 BPM | ||
The Truth From Above (arr. R.V. Williams) | Ralph Vaughan Williams, Traditional, Tewkesbury Abbey Choir, Andrew Sackett | E Minor | 1 | 9A | 86 BPM | ||
A Christmas Round | John Tavener, The Temple Church Choir, Stephen Layton | F♯ Minor | 1 | 11A | 89 BPM | ||
Bogoroditse Djevo | Arvo Pärt, Ora Singers, Suzi Digby | A Major | 1 | 11B | 117 BPM | ||
Requiem: VII. Lux aeterna (Thomas Harries, treble) | John Rutter, Choir of King's College, Cambridge, Stephen Cleobury, City of London Sinfonia | G Major | 0 | 9B | 81 BPM |
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