Madama Butterfly / Act 1: "Dovunque al mondo"
Giacomo Puccini, Carlo Bergonzi, Enzo Sordello, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin
Puccini: Madama Butterfly
2:54 January 1, 1958
BPM
94
Key
B♭ Minor
Camelot
3A

Embed

Share Link

Madama Butterfly / Act 1: "Dovunque al mondo" - Giacomo Puccini, Carlo Bergonzi, Enzo Sordello, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin Information

Acousticness
78%
Danceability
22%
Energy
7%
Instrumentalness
4%
Liveness
9%
Loudness
61%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.336 dB

Summary

"Madama Butterfly / Act 1: "Dovunque al mondo"" by Giacomo Puccini, Carlo Bergonzi, Enzo Sordello, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin was released on January 1, 1958. The duration of Madama Butterfly / Act 1: "Dovunque al mondo" is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Madama Butterfly / Act 1: "Dovunque al mondo"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 42 in the song's album "Puccini: Madama Butterfly". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Madama Butterfly / Act 1: "Dovunque al mondo" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Madama Butterfly / Act 1: "Dovunque al mondo" BPM

With Madama Butterfly / Act 1: "Dovunque al mondo" by Giacomo Puccini, Carlo Bergonzi, Enzo Sordello, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Madama Butterfly / Act 1: "Dovunque al mondo" Key

This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Turandot, Act III: Nessun dorma (arr. for orchestra) by Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovTurandot, Act III: Nessun dorma (arr. for orchestra)Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil TabakovD Major110B85 BPM
Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna Le Nozze di Figaro, K. 492: Atto primo. Scene 1 & 2. N.1 Duettino Figaro, Susanna "Cinque... dieci... venti..."Wolfgang Amadeus Mozart, René Jacobs, Lorenzo Regazzo, Concerto Köln, Patrizia CiofiG Major19B134 BPM
Les contes d'Hoffmann: Les oiseaux dans la charmille by Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert ReimerLes contes d'Hoffmann: Les oiseaux dans la charmilleJacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert ReimerA♭ Major14B86 BPM
Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: Il Trionfo del Tempo a del Disinganno, Oratorio in two parts HWV 46 a (1707), Part Two: Aria: "Lasci la spina" (Piacere)George Frideric Handel, Emmanuelle Haïm, Le Concert d'AstréeE Major012B94 BPM
Turandot / Act 1: O giovinetto! Grazia, grazia! by Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaTurandot / Act 1: O giovinetto! Grazia, grazia!Giacomo Puccini, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin MehtaB Major21B170 BPM
Cantique de Jean Racine, Op. 11 by Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De FranceCantique de Jean Racine, Op. 11Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De FranceD♭ Major23B73 BPM
Mattinata (Orch. Luck) by Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato BalsadonnaMattinata (Orch. Luck)Ruggero Leoncavallo, Freddie De Tommaso, London Philharmonic Orchestra, Renato BalsadonnaB Major31B84 BPM
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major by Edward Elgar, London Philharmonic Orchestra, Sir Georg SoltiPomp and Circumstance Marches, Op. 39: March No. 4 in G MajorEdward Elgar, London Philharmonic Orchestra, Sir Georg SoltiG Major39B118 BPM
Gypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version) by Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke DollmanGypsy Melodies, Op. 55: 4. Songs My Mother Taught Me (Orchestral Version)Antonín Dvořák, Greta Bradman, Adelaide Symphony Orchestra, Luke DollmanC Major28B189 BPM
La forza dell’amore e dell’odio: La forza dell’amore e dell’odio: "Vado a morir"Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego FasolisE Minor29A176 BPM
ISRC
GBF075840203
Label
L-M Records/RCA Records

Section: 0.6394538879394531

End: 0.6448342800140381