German Requiem, Op. 45: Selig sind die Toten - Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev Information

Acousticness: 98%
Danceability: 13%
Energy: 3%
Instrumentalness: 74%
Liveness: 13%
Loudness: 51%
Speechiness: 4%
Valence: 6%
Popularity: 13%
Loudness: -29.609 dB

Summary

"German Requiem, Op. 45: Selig sind die Toten" by Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev was released on April 29, 2014. German Requiem, Op. 45: Selig sind die Toten appears to be safe for all ages as it is not explicit. The song is number 7 out of 7 in Brahms: German Requiem, Op. 45 by Johannes Brahms, London Symphony Orchestra, Valery Gergiev, London Symphony Chorus. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, German Requiem, Op. 45: Selig sind die Toten is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

German Requiem, Op. 45: Selig sind die Toten BPM

The tempo marking of German Requiem, Op. 45: Selig sind die Toten by Johannes Brahms, London Symphony Orchestra, London Symphony Chorus, Valery Gergiev is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

German Requiem, Op. 45: Selig sind die Toten Key

This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Wesendonck Lieder, WWV 91: Träume	Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis	A♭ Major	1	4B	76 BPM
Die Schöpfung Hob. XXI:2 / Erster Teil: 13. Chor mit Soli: Die Himmel erzählen die Ehre Gottes	Franz Joseph Haydn, Gösta Winbergh, Kathleen Battle, Kurt Moll, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist	C Major	3	8B	97 BPM
Ein deutsches Requiem, Op. 45: 5. "Ihr habt nun Traurigkeit"	Johannes Brahms, Cheryl Studer, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Eric Ericson Chamber Choir, Gustav Sjökvist	F Major	4	7B	74 BPM
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !"	Gustav Mahler, Sir Simon Rattle, Arleen Auger, City of Birmingham Symphony Chorus, Dame Janet Baker, City Of Birmingham Symphony Orchestra	A♭ Major	0	4B	65 BPM
One Summer's Day	Joe Hisaishi, London Symphony Orchestra	C Major	1	8B	78 BPM
Im Fruhling, D. 882	Franz Schubert, Hanno Müller-Brachmann, Ulrich Eisenlohr	E Major	0	12B	90 BPM
Palestrina: Act III - "Wie lange sie bleiben"	Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier	F♯ Major	1	2B	87 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor	Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz	F Major	1	7B	83 BPM
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy)	Péter Nagy, Johannes Brahms	E♭ Major	0	5B	134 BPM
Mahler: Kindertotenlieder: No. 5, In diesem Wetter, in diesem Braus	Gustav Mahler, Dame Janet Baker, Hallé, Sir John Barbirolli	C Major	0	8B	82 BPM

ISRC: GBDGQ1324807
Label: L-M Records/RCA Records

Section: 0.6450624465942383

End: 0.6492958068847656