Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo's '12 Trio Sonatas, Op. 1, Sonata III in C Major, Talm I, 3: III. Grave' came out on March 1, 2016. With 12 Trio Sonatas, Op. 1, Sonata III in C Major, Talm I, 3: III. Grave being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 48 in Albinoni: Trio Sonatas, Op. 1 by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. In terms of popularity, 12 Trio Sonatas, Op. 1, Sonata III in C Major, Talm I, 3: III. Grave is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 12 Trio Sonatas, Op. 1, Sonata III in C Major, Talm I, 3: III. Grave by Tomaso Albinoni, L'Arte dell' Arco, Federico Guglielmo is Moderato (at a moderate speed), since this song has a tempo of 111 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | ||
Concerto à 5 in C Major for Two Oboes and Strings, Op. 9 No. 9: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 107 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM | ||
Purcell : King Arthur : Overture to Act 1 | William Christie | C Minor | 2 | 5A | 140 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Violin Concerto in D Minor, Op. 7 No. 1: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | D♭ Minor | 2 | 12A | 173 BPM | ||
Concerto for Two Oboes in C Major, Op. 7 No. 11: III. Allegro | Tomaso Albinoni, Collegium Musicum 90, Simon Standage, Anthony Robson, Catherine Latham | B Major | 3 | 1B | 121 BPM | ||
5 Songs from the Norwegian: No. 5. Sunset (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F♯ Major | 0 | 2B | 69 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM |
Section: 0.6564538478851318
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