"Stockhausen: Tierkreis, for Trumpet und Organ: VI. Krebs - Cancer (22.06-23.07) - Mond (=75,5)" by Karlheinz Stockhausen, Markus Stockhausen was released on July 6, 2009. The duration of Stockhausen: Tierkreis, for Trumpet und Organ: VI. Krebs - Cancer (22.06-23.07) - Mond (=75,5) is about two minutes long, specifically at 2:23. This song does not appear to have any foul language. Stockhausen: Tierkreis, for Trumpet und Organ: VI. Krebs - Cancer (22.06-23.07) - Mond (=75,5)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Stockhausen: Tierkreis, In Freundschaft, Spiral 1 & Japan". In this album, this song's track order is #8. Stockhausen: Tierkreis, for Trumpet und Organ: VI. Krebs - Cancer (22.06-23.07) - Mond (=75,5) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stockhausen: Tierkreis, for Trumpet und Organ: VI. Krebs - Cancer (22.06-23.07) - Mond (=75,5) by Karlheinz Stockhausen, Markus Stockhausen having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fog Tropes | Ingram Marshall | B♭ Major | 1 | 6B | 84 BPM | ||
Voice in a massive pipe | Upside Down Upright Bass | C Minor | 2 | 5A | 126 BPM | ||
Environs 1 | Meredith Monk | B♭ Major | 0 | 6B | 127 BPM | ||
Spring | YAKSHA MUSIK | D♭ Major | 2 | 3B | 117 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Chorale | Philip Glass, Anthony Fiumara, Slagwerk Den Haag | E♭ Minor | 0 | 2A | 136 BPM | ||
Starship Cruise | Peter Ross PinkSmit | F♯ Major | 2 | 2B | 102 BPM | ||
Persepolis #1 | Iannis Xenakis | F♯ Minor | 4 | 11A | 130 BPM | ||
Lento in due movimenti: I. Adagio | Toru Takemitsu, Kotaro Fukuma | F Minor | 0 | 4A | 137 BPM | ||
Three Sonic Spaces II | Laurie Spiegel | B♭ Major | 3 | 6B | 104 BPM |
Section: 0.5573835372924805
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