Robert Woodcock, Florilegium, Ashley Solomon made "Concerto No. 9 in E Minor: III. Allegro" available on March 24, 2023. The duration of Concerto No. 9 in E Minor: III. Allegro is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Concerto No. 9 in E Minor: III. Allegro's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Spohr Collection, Vol. 2". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Netherlands. The popularity of Concerto No. 9 in E Minor: III. Allegro is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Concerto No. 9 in E Minor: III. Allegro by Robert Woodcock, Florilegium, Ashley Solomon having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso in B-Flat Major, 1 No.3: IV. | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | E Major | 4 | 12B | 146 BPM | ||
Scaramuccia | Nicola Matteis, Michael Oman, Austrian Baroque Company | F♯ Major | 6 | 2B | 124 BPM | ||
Suitte en Trio No. 2 in A Major, Op. 1: II. Allemande | Louis-Antoine Dornel, Musica Barocca | E♭ Major | 2 | 5B | 131 BPM | ||
Concerto No. 1 for Sixth Flute in E Major: I. Largo | Robert Woodcock, Ensemble Odyssee | E♭ Major | 2 | 5B | 121 BPM | ||
Driftwood | Robert Woodcock | A♭ Major | 9 | 4B | 78 BPM | ||
Ouverture for Strings & Continuo in A Major: V. Rondeau - Allegro | Giuseppe Antonio Brescianello, La Serenissima, Adrian Chandler | E Major | 3 | 12B | 200 BPM | ||
Recorder Concerto No. 3 in D Major: III. Vivace | Robert Woodcock, Dan Laurin, Makoto Akatsu, Van Wassenaer Orchestra | D♭ Major | 1 | 3B | 102 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Polonaise | Cologne Chamber Orchestra | A Minor | 0 | 8A | 95 BPM | ||
Telemann: Tafelmusik, Pt. 3: Ouverture-Suite in B-Flat Major, TWV 55:B1: VII. Menuet | Georg Philipp Telemann, Amsterdam Baroque Orchestra, Ton Koopman, Ku Ebbinge, Michel Henry, Monica Huggett, Alison Bury | A Major | 1 | 11B | 122 BPM | ||
Sammartini: Recorder Concerto in F Major: I. Allegro | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | F Major | 1 | 7B | 119 BPM |
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