On February 21, 1996, the song "Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II)" was released by Robert Schumann, Johann Strauss II, Slovak Radio Symphony Orchestra, Michael Dittrich. The duration of Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II) is about 3 minutes long, at 3:07. Based on our data, "Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Strauss Ii, J.: Edition - Vol. 46". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II)'s popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Myrthen, Op. 25: No. 1. Widmung (arr. J. Strauss II): Widmung (arr. J. Strauss II) by Robert Schumann, Johann Strauss II, Slovak Radio Symphony Orchestra, Michael Dittrich having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Waltz No. 9 in A-Flat Major, Op. Posth. 69 No. 1 "Farewell" | Frédéric Chopin, Cyprien Katsaris | A♭ Major | 0 | 4B | 70 BPM | ||
Konzertstück for 4 Horns and Orchestra in F Major, Op. 86: 4本のホルンと管弦楽のためのコンツェルトシュトゥック ヘ長調作品86 第1楽章 | Robert Schumann, Paavo Järvi, Deutsche Kammerphilharmonie Bremen | F Major | 0 | 7B | 70 BPM | ||
Legends, Op. 59, B. 122: VI. Allegro con moto | Antonín Dvořák, Cristian Măcelaru, WDR Sinfonieorchester | C Minor | 1 | 5A | 72 BPM | ||
Gaîté parisienne: Barcarolle - Excerpt | Jacques Offenbach, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 1 | 10B | 68 BPM | ||
Sorochintsi Fair, Act I: Gopak (Hopak) | Modest Mussorgsky, Slovak Philharmonic, Kenneth Jean | G Major | 2 | 9B | 127 BPM | ||
Neue Pizzicato-Polka, Op. 449: Neue Pizzicato-Polka | Johann Strauss II, Slovak State Philharmonic Orchestra, Kosice | C Major | 0 | 8B | 152 BPM | ||
Giselle: Act II: Valse | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | B♭ Major | 1 | 6B | 85 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM | ||
Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM |
Section: 0.8952913284301758
End: 0.9003212451934814