Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker made "Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Moderato - Arranged for Flute in A Minor" available on 2002. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 15 out of 17 in Bach: Flute & Orchestral Works by Johann Sebastian Bach, Sefika Kutluer, Cord Garben, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. In terms of popularity, Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Moderato - Arranged for Flute in A Minor is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Harpsichord Concerto No. 5 in F Minor, BWV 1056: I. Moderato - Arranged for Flute in A Minor by Johann Sebastian Bach, Cord Garben, Sefika Kutluer, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Concerto for Strings in A Minor, RV 161: I. Allegro | Antonio Vivaldi, Accademia I Filarmonici, Alberto Martini | B♭ Major | 5 | 6B | 124 BPM | ||
Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Ede Inhoff, Hungarian State Opera Chamber Orchestra | E♭ Minor | 0 | 2A | 83 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Suite en La: Gavotte | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 0 | 8A | 82 BPM | ||
Wir müssen durch viel Trübsal, BWV 146: Sinfonia | Johann Sebastian Bach, Brigitte Geller, William Towers, Mark Padmore, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 0 | 10B | 102 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Bach, JS: Concerto for 2 Pianos in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, David Fray, Orchestre National Du Capitole De Toulouse | C Minor | 0 | 5A | 179 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM | ||
Goldberg Variations (‘Air with Thirty Variations’), BWV 988: Goldberg Variations (‘Air with Thirty Variations’), BWV 988: VII. Allegro scherzando | Chiyan Wong, Johann Sebastian Bach, Ferruccio Busoni | E Minor | 0 | 9A | 68 BPM |
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