"Quatre morceaux de salon, Op. 102: Nocturne No. 1 in C Major" by Georg Goltermann, Katherine Decker, Eun-Hee Park was released on February 26, 2022. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Georg Goltermann, Katherine Decker, Eun-Hee Park's "Georg Goltermann: Nocturnes and Romances - Morceaux de Salon for Cello and Piano" album is number 7 out of 22. Quatre morceaux de salon, Op. 102: Nocturne No. 1 in C Major is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Quatre morceaux de salon, Op. 102: Nocturne No. 1 in C Major by Georg Goltermann, Katherine Decker, Eun-Hee Park to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Todo Início Carrega um Pouco do Fim | Anabel Santana, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Foster: 金髪のジェニー | スティーブン・コリンズ・フォスター, Mariko Senju, 山洞 智 | D Major | 1 | 10B | 61 BPM | ||
Salomea | Jasmin Reuter, World Chamber Orchestra | B♭ Minor | 2 | 3A | 172 BPM | ||
'Violetta', Fantasia for Violin and Piano from 'La Traviata' | Mario Castelnuovo-Tedesco, Francesca Dego, Francesca Leonardi | F Major | 2 | 7B | 117 BPM | ||
3 Romances for Violin and Piano, Op. 22: III. Leidenschaftlich schnell | Clara Schumann, Koji Morishita | B♭ Major | 1 | 6B | 98 BPM | ||
Myrthen, Op. 25: No. 24 - Du bist wie eine Blume | Robert Schumann, Pablo Ferrandez, Julien Quentin | A♭ Major | 1 | 4B | 109 BPM | ||
Piano Quintet in A Major, Op. 114, D. 667 "Die Forelle": IV. Tema con variazione. Andantino (Excerpt) | Franz Schubert, Istvan Toth, Jenő Jandó, Kodály Quartet | D Major | 1 | 10B | 165 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gabriel Schwabe, ORF Vienna Radio Symphony Orchestra, Christopher Ward | B♭ Major | 0 | 6B | 92 BPM | ||
Concerto for cello and orchestra no. 1 in A minor, Op. 14:I. Allegro moderato | Georg Goltermann, Jamal Aliyev, Gregori Witt, Howard Griffiths | D Minor | 1 | 7A | 91 BPM | ||
Lieder Ohne Worte, Drittes Heft, Op. 38 (Arr. for Violin and Piano by Ferdinand David): II. Allegro non troppo | Felix Mendelssohn, Michael Barenboim, Natalia Pegarkova-Barenboim | D Major | 1 | 10B | 143 BPM |
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