Georg Philipp Telemann, Anna Holbling, Quido Holbling, Ján Slávik, Jozef Zsapka made "Trio Sonata in E Minor, TWV 42:e5: IV. Vivace" available on August 7, 1992. With Trio Sonata in E Minor, TWV 42:e5: IV. Vivace being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 26 in the song's album "Two Violins and One Guitar, Vol. 2". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Trio Sonata in E Minor, TWV 42:e5: IV. Vivace is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Trio Sonata in E Minor, TWV 42:e5: IV. Vivace by Georg Philipp Telemann, Anna Holbling, Quido Holbling, Ján Slávik, Jozef Zsapka having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: V. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 0 | 12B | 97 BPM | ||
Concerto 5 in A Minor, Op. 7: II. Largo-Adagio | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | E Major | 1 | 12B | 82 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Concerto for Recorder, Transverse Flute, Strings and Continuo in E Minor: IV. Presto | Georg Philipp Telemann, Martin Fröst, Royal Stockholm Philharmonic Orchestra | D Minor | 3 | 7A | 82 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: V. Sarabanda: Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Concerto for Flute and 2 Violins in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Raffaele Trevisani, Moscow Chamber Orchestra, Constantine Orbelian | G Major | 2 | 9B | 104 BPM |
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