Johann Sebastian Bach, Julian Bream made "Bach, JS: Suite in E Minor, BWV 996: II. Allemande (Transcr. Bream)" available on June 1, 1994. The duration of Bach, JS: Suite in E Minor, BWV 996: II. Allemande (Transcr. Bream) is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Bach, JS: Suite in E Minor, BWV 996: II. Allemande (Transcr. Bream)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Julian Bream's "J. S. Bach: Lute works" album is number 5 out of 16. Based on our statistics, Bach, JS: Suite in E Minor, BWV 996: II. Allemande (Transcr. Bream)'s popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Bach, JS: Suite in E Minor, BWV 996: II. Allemande (Transcr. Bream) by Johann Sebastian Bach, Julian Bream to be Allegro (fast, quick, and bright) because the track has a tempo of 148 BPM, a half-time of 74BPM, and a double-time of 296 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) | Mario Castelnuovo-Tedesco, Zoran Dukic | A Minor | 1 | 8A | 108 BPM | ||
Castillos de Espana II: No. 7. Montemayor | Federico Moreno Torroba, Ana Vidovic | A Minor | 0 | 8A | 130 BPM | ||
24 Caprices, Op. 1 (arr. for guitar): No. 5 in A Minor | Niccolò Paganini, Marco Tamayo | E Minor | 2 | 9A | 69 BPM | ||
Bach, JS: Guitar Suite in E Major, BWV 1006a: IV. Menuets I & II | Johann Sebastian Bach, Julian Bream | E Major | 1 | 12B | 85 BPM | ||
Sonatina canonica, Op. 196: I. Mosso, grazioso e leggero | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | D Minor | 2 | 7A | 111 BPM | ||
Voyons si c'est ca - 6 Pieces, Op. 45: No. 5. Andante | Fernando Sor, Jason Vieaux | A Major | 1 | 11B | 134 BPM | ||
Suite del Plata, No. 1: Murga | Maximo Diego Pujol, Victor Villadangos | E Minor | 1 | 9A | 102 BPM | ||
Fantasía para un Gentilhombre: Ia. Villano | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Major | 1 | 11B | 95 BPM | ||
Dernière courente de Gautier | Denis Gaultier, Bernhard Hofstötter | D♭ Minor | 1 | 12A | 148 BPM | ||
Sonata clasica: I. Allegro | Manuel Ponce, Jason Vieaux | A Minor | 1 | 8A | 137 BPM |
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