- BPM
- 121
- Key
- D Minor
- Camelot
- 7A
Assumpta est Maria - Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes, Ágnes Harman Information
- Acousticness
- 99%
- Danceability
- 22%
- Energy
- 15%
- Instrumentalness
- 95%
- Liveness
- 7%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -21.92 dB
Summary
"Assumpta est Maria" by Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes, Ágnes Harman was released on May 23, 1999. The duration of Assumpta est Maria is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Assumpta est Maria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Miklós Kocsár, Szabó Dénes, Cantemus Children Choir, Pro Musica's "Miklós Kocsár: Sacred Works" album is number 8 out of 15. Based on our statistics, Assumpta est Maria's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Assumpta est Maria BPM
We consider the tempo marking of Assumpta est Maria by Miklós Kocsár, Cantemus Children Choir, Pro Musica, Szabó Dénes, Ágnes Harman to be Allegro (fast, quick, and bright) because the track has a tempo of 121 BPM, a half-time of 60BPM, and a double-time of 242 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Assumpta est Maria Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Искупил ны еси от клятвы законныя | Хор Сретенского монастыря | F♯ Major | 1 | 2B | 74 BPM | |
 | Sequenze | Miklós Kocsár, Franz Liszt Chamber Orchestra | G Major | 0 | 9B | 66 BPM | |
 | Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | |
 | Liturgy Of St. John Chrysostom, Op. 31: Come, Let Us Worship | Lege Artis Chamber Choir, Boris Abalyan | D Minor | 1 | 7A | 79 BPM | |
 | Mass in Es, Kyrie | Josef Rheinberger, State Choir Latvija, Māris Sirmais | A♭ Major | 0 | 4B | 104 BPM | |
 | Workin' for the Dawn of Peace (Arr. for Choir by Ron Jeffers) | Irving Gordon, Walter Kittredge, Skylark Vocal Ensemble, Matthew Guard | D♭ Major | 2 | 3B | 106 BPM | |
 | Nunc Dimittis (The Cantata of Simon): "Now O Lord, You Can Leave Your Servant" | Saint Petersbourg Vocal Ensemble, Bernard Houdy | A♭ Major | 1 | 4B | 96 BPM | |
 | Cumque Evigilasset - I 1000 anni dell'Abbaxzia di San miniato al Monte di Firenze | Giuseppe Scali, Coro Gregoriano di San Giovanni Evangelista di Empoli, Francesco Pelagotti, Andrea Franchi, Piero Gelli, Adriano Marchiori, Claudio Marradi, Giampaolo Pratesi, Tommaso Stella | B♭ Major | 1 | 6B | 72 BPM | |
 | 27 2- and 3- Part Choruses, BB 111, Vol. 3: No. 1. Ne menj el (Don't Leave Me) | Béla Bartók, Schola Hungarica, László Dobszay | B♭ Minor | 0 | 3A | 76 BPM | |
 | 6 Lieder, Op. 59: No. 6, Jagdlied | Felix Mendelssohn, Sächsisches Vocalensemble, Matthias Jung | E♭ Major | 1 | 5B | 89 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.5718448162078857
End: 0.5758249759674072