"The Lost Chord" by Arthur Sullivan, Enrico Caruso was released on 1990. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 206 in Enrico Caruso - The Complete Victor Recordings by Enrico Caruso. The Lost Chord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Lost Chord by Arthur Sullivan, Enrico Caruso is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Part I: Gli aranci olezzano (Women, Men) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | B Major | 1 | 1B | 85 BPM | ||
The Pirates of Penzance: Oh! Is There Not One Maiden Breast | Marilyn Hill Smith, Philip Creasy | D♭ Major | 0 | 3B | 77 BPM | ||
West Side Story: XIII. Somewhere | Leonard Bernstein, Marilyn Horne, Orchestra | E Major | 1 | 12B | 88 BPM | ||
H.M.S. Pinafore, Act I: When I Was a Lad | Gilbert & Sullivan Society of Houston | B♭ Major | 4 | 6B | 109 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM | ||
Princess Ida, Act III: Whene'er I spoke (Gama) | Arthur Sullivan, Fisher Morgan, Thomas Round, Leonard Osborn, Jeffrey Skitch, Peter Pratt, Donald Adams, John Banks, Trevor Hills, Victoria Sladen, Ann Drummond-Grant, Muriel Harding, Beryl Dixon, Cynthia Morey, The D'Oyly Carte Opera Chorus, New Symphony Orchestra, Isidore Godfrey | D Major | 2 | 10B | 122 BPM | ||
The Pirates of Penzance: How Beautifully Blue the Sky | Patricia Cameron, Pauline Birchall | C Major | 1 | 8B | 59 BPM | ||
Die Fledermaus: Act II: Finale: Im Feuerstrom der Reben (Chorus) | Johann Strauss II, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Friedrich Haider | D Major | 4 | 10B | 74 BPM | ||
Faust: Faites-lui mes aveux | Charles Gounod, Joyce DiDonato, Kazushi Ono, Orchestre De L'Opéra National De Lyon | C Major | 1 | 8B | 82 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |
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