"Messager: The Two Pigeons, Act 2, Scene 1: General Dance" by André Messager, Bournemouth Symphony Orchestra, John Lanchbery was released on January 1, 1984. The duration of Messager: The Two Pigeons, Act 2, Scene 1: General Dance is about 3 minutes long, at 3:09. Based on our data, "Messager: The Two Pigeons, Act 2, Scene 1: General Dance" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in André Messager, Bournemouth Symphony Orchestra, John Lanchbery's "Messager: Les deux pigeons" album is number 20 out of 23. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Messager: The Two Pigeons, Act 2, Scene 1: General Dance's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messager: The Two Pigeons, Act 2, Scene 1: General Dance by André Messager, Bournemouth Symphony Orchestra, John Lanchbery to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ancient Airs & Dances, Suite No. 3, P. 172: I. Italiana | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | B♭ Major | 1 | 6B | 96 BPM | ||
Tchaikovsky: Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VII & Coda (Allegro vivo) | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 78 BPM | ||
Gli uccelli (The Birds), P. 154: II. La colomba: Andante expressivo | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | F♯ Minor | 1 | 11A | 123 BPM | ||
Symphony No. 4 In F Minor, Op. 36, TH.27: 2. Andantino in modo di canzone | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 134 BPM | ||
Souvenirs de Bayreuth (After Wagner's Der Ring des Nibelungen, WWV 86): I. — | Gabriel Fauré, André Messager, Pierre-Alain Volondat, Patrick de Hooghe | E♭ Major | 1 | 5B | 114 BPM | ||
Messager: Fortunio, Act 3: "Si vous croyez que je vais dire" (Fortunio, Maître André, Clavaroche, Jacqueline) | André Messager, John Eliot Gardiner, Colette Alliot-Lugaz, Gilles Cachemaille, Michel Trempont, Thierry Dran, Orchestre de l'Opéra de Lyon | F♯ Minor | 0 | 11A | 185 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
Passionnément, Acte I: I. Introduction. Terre, terre droit devant nous ! | André Messager, Véronique Gens, Nicole Car, Eric Huchet, Armando Noguera, Munich Radio Orchestra, Stefan Blunier | A Major | 4 | 11B | 83 BPM | ||
Passionnément, Acte I: III. Duo. Il ne faut pas croire aux serments des femmes | André Messager, Véronique Gens, Eric Huchet, Munich Radio Orchestra, Stefan Blunier | A Major | 4 | 11B | 83 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM |
Section: 0.7030293941497803
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