"Fauré: La Bonne Chanson, Op. 61 - 6. Avant que tu ne t'en ailles" by Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson was released on June 20, 2023. The duration of Fauré: La Bonne Chanson, Op. 61 - 6. Avant que tu ne t'en ailles is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Fauré: La Bonne Chanson, Op. 61 - 6. Avant que tu ne t'en ailles's duration is considered a little bit shorter than the average duration of a typical track. The song is number 117 out of 144 in Classical Sonosphere Vol. 3 by Gabriel Fauré, Antonín Dvořák, Felix Mendelssohn. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Fauré: La Bonne Chanson, Op. 61 - 6. Avant que tu ne t'en ailles is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fauré: La Bonne Chanson, Op. 61 - 6. Avant que tu ne t'en ailles by Gabriel Fauré, Anne Sofie von Otter, Bengt Forsberg, Nils-Erik Sparf, Ulf Forsberg, Matti Hirvikangas, Mats Lidström, Tomas Gertonsson is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 67, Pt. 1 "L'hiver": No. 4, Variation de la glace | Alexander Glazunov, Zagreb Philharmonic Orchestra, Dmitri Kitayenko | C Major | 1 | 8B | 138 BPM | ||
Adagio in E Major, K. 261 | Wolfgang Amadeus Mozart, Pinchas Zukerman, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 100 BPM | ||
Sonata No. 42 in D Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | D Minor | 0 | 7A | 61 BPM | ||
Préludes / Book 1, L. 117: 8. La fille aux cheveux de lin | Claude Debussy, Víkingur Ólafsson | F♯ Major | 0 | 2B | 76 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Carnival of the Animals: The Swan | Camille Saint-Saëns, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Sheku Kanneh-Mason | G Major | 1 | 9B | 65 BPM | ||
Sure on This Shining Night, Op. 13 No. 3 (Arr. Parkin for Cello and Piano) | Samuel Barber, Sheku Kanneh-Mason, Isata Kanneh-Mason | B♭ Major | 0 | 6B | 113 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM |
Section: 0.6422073841094971
End: 0.6476423740386963