"St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus)" by Johann Sebastian Bach, Christine Schäfer, Christoph Prégardien, Dietrich Henschel, Dorothea Röschmann, Arnold Schönberg Choir, Nikolaus Harnoncourt, Concentus Musicus Wien was released on January 18, 2021. The duration of St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work - Bach by Johann Sebastian Bach. The song's track number on the album is #155 out of 250 tracks. Based on our statistics, St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus) by Johann Sebastian Bach, Christine Schäfer, Christoph Prégardien, Dietrich Henschel, Dorothea Röschmann, Arnold Schönberg Choir, Nikolaus Harnoncourt, Concentus Musicus Wien has a tempo of 134 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With St Matthew Passion, BWV 244, Pt. 2: No. 38, Petrus aber sass... Und alsbald krähete der Hahn (Evangelist, Ancilla 1 & 2, Petrus, Chorus) being at 134 BPM, the half-time would be 67 BPM with a double-time of 268 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Concerto in C Minor, BWV 1060: II. Adagio | Johann Sebastian Bach, Alexei Ogrintchouk, Concertgebouw Chamber Orchestra, Vesko Eschkenazy, Tjeerd Top, Alexei Ogrintchouck | C Minor | 1 | 5A | 81 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Six German Dances, D820: No.2 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Hungarian Dance No. 1 in G Minor, WoO 1 | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 142 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Kinderszenen, Op.15: 13. Der Dichter spricht | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 169 BPM | ||
Rondo in D Minor, Wq. 61/4, H. 290 | Carl Philipp Emanuel Bach, Christopher Hinterhuber | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Lieder ohne Worte, Op. 19, No. 1 | Felix Mendelssohn, Murray Perahia | E Major | 0 | 12B | 138 BPM |
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