"Introduction et Allegro, M. 46: Introduction et allegro, M. 46" by Maurice Ravel, Academy of St. Martin in the Fields, Skaila Kanga was released on August 1, 1988. Introduction et Allegro, M. 46: Introduction et allegro, M. 46 appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Ravel, Debussy & Saint-Seans with the Academy of St Martin-in-the-Fields". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Introduction et Allegro, M. 46: Introduction et allegro, M. 46 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Introduction et Allegro, M. 46: Introduction et allegro, M. 46 by Maurice Ravel, Academy of St. Martin in the Fields, Skaila Kanga having a BPM of 91 with a half-time of 46 BPM and a double-time of 182 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Melodies, Op. 4 - 6 melodies, Op. 5: Allegretto | Fanny Mendelssohn, Beatrice Rauchs | G Minor | 1 | 6A | 107 BPM | ||
String Quartet No. 6 Op.80 in F minor: III Adagio | Felix Mendelssohn, Quatuor Ébène | A♭ Major | 1 | 4B | 117 BPM | ||
Woodland Sketches, Op. 51: No. 1: To a Wild Rose | Edward MacDowell, James Barbagallo | A Major | 0 | 11B | 87 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Nocturne No.19 In E Minor, Op.72 No.1 | Frédéric Chopin, Daniel Barenboim | B Major | 0 | 1B | 104 BPM | ||
3 Pieces in Old Style: No. 2. Menuetto I | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | A Minor | 1 | 8A | 155 BPM | ||
Ravel: Prelude in A Minor, M. 65 | Maurice Ravel, Bertrand Chamayou | E Minor | 0 | 9A | 169 BPM | ||
Louange à l'Éternité de Jésus (From "Quartet for the End of Time") | Olivier Messiaen, Yo-Yo Ma, Kathryn Stott | E Major | 0 | 12B | 83 BPM | ||
Je te veux | Erik Satie, Pascal Rogé | C Major | 0 | 8B | 103 BPM | ||
Fantaisie for Violin and Harp, Op. 124 | Camille Saint-Saëns, Academy of St. Martin in the Fields, Skaila Kanga | D Minor | 1 | 7A | 91 BPM |
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