"The Lord is Good" by Cecilia McDowall, Susanna Fairbairn, Miranda Laurence, Sospiri, Christopher Watson was released on April 2, 2013. The Lord is Good is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. There are a total of 11 in the song's album "The Lost City: Lamentations Through the Ages". In this album, this song's track order is #1. Based on our statistics, The Lord is Good's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Lord is Good by Cecilia McDowall, Susanna Fairbairn, Miranda Laurence, Sospiri, Christopher Watson having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Magnificat in C | Charles Villiers Stanford, The King's Consort, Robert King | E♭ Minor | 2 | 2A | 121 BPM | ||
Concerto for Double Bass 2nd Movement | Antonio Capuzzi, Martin Smith, Catherine Milledge | B♭ Major | 0 | 6B | 73 BPM | ||
Tableaux de Provence: IV. Des Alyscamps l'âme soupire (Version pour saxophone et piano) | Paule Maurice, Louis Hognon, Flore Merlin | D♭ Minor | 0 | 12A | 66 BPM | ||
Oíche Mhaith a Sheáin | Máire Carroll, Kristan Swain | D Major | 0 | 10B | 62 BPM | ||
Canzoni et sonate: Sonata XX a 22 | Giovanni Gabrieli, Berlin Brass, Andreas Sieling | F Major | 1 | 7B | 79 BPM | ||
Les Sept paroles de Notre Seigneur Jésus-Christ sur la croix, CG 147: VII. Pater in manus tuas | Charles Gounod, Ensemble Vocal de Lausanne, Michel Corboz | F Major | 0 | 7B | 75 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Proficiscere, anima Christiana | Edward Elgar, Gabrieli, Paul McCreesh, Andrew Foster-Williams | D Major | 0 | 10B | 85 BPM | ||
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Stabat Mater: VII. Inflammatus et accensus | Cecilia McDowall, Orchestra Nova | G Major | 1 | 9B | 126 BPM | ||
2 Songs for Children: No. 1. Little Birdie (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | F Major | 0 | 7B | 85 BPM |
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