Franz Schubert, Leonard Bernstein, New York Philharmonic's 'Symphony No. 9 in C Major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio' came out on 1966. Symphony No. 9 in C Major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Schubert: Symphonies Nos. 8 "Unfinished" & 9 "Great"". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. In terms of popularity, Symphony No. 9 in C Major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 9 in C Major, D. 944 "Great": III. Scherzo. Allegro vivace - Trio by Franz Schubert, Leonard Bernstein, New York Philharmonic having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade, D. 889 (Arr. for Solo Piano) | Franz Schubert, Dmitri Bashkirov | C Minor | 1 | 5A | 131 BPM | ||
Lieder ohne Worte (Songs without Words), Book 6, Op. 67: No. 32 in F-Sharp Minor, Op. 67, No. 2 | Felix Mendelssohn, Péter Nagy | F♯ Minor | 1 | 11A | 166 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
美しき水車小屋の娘 Op. 25, D. 795: 第11曲 僕のものだ! | Wilhelm Müller, Franz Schubert, John Ken NUZZO, 近藤亜紀 | D Major | 2 | 10B | 91 BPM | ||
Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) | Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 81 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
The Well-Tempered Clavier: Book 1, BWV 846-869: I. Prelude in C Major, BWV 846 | Lang Lang | C Major | 1 | 8B | 134 BPM | ||
Alfonso und Estrella, D. 732: Overture, "Rosamunde" | Franz Schubert, Prague Sinfonia, Christian Benda | A Major | 2 | 11B | 134 BPM |
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