Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis's 'Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano)' came out on May 25, 2010. With Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Takako Nishizaki Plays Suzuki Evergreens, Vol. 3". In this album, this song's track order is #7. Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) by Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | ||
Mozart Menuetto from Divertimento in D, K. 334: Wolfgang Amadeus Mozart | Mela Tenenbaum | D Major | 1 | 10B | 103 BPM | ||
Ellens Gesang III (Ave Maria), S558 no.12 (after Schubert’s D839) | Franz Liszt, Franz Schubert, Valentina Lisitsa | F♯ Major | 4 | 2B | 96 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
La Bayadere: Variation 3: Moderato | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 0 | 10B | 78 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Coppélia, Act I: Valse Lente | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | E♭ Major | 2 | 5B | 91 BPM |
Section: 0.5991909503936768
End: 0.604609489440918