Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore)
Ludwig van Beethoven, Kirsten Flagstad, Set Svanholm, Paul Schoeffler, Deszo Ernster, Nadine Conner, Peter Klein, Jerome Hines, Brian Sullivan, George Cehanovsky, Bruno Walter
Beethoven, L. Van: Fidelio [Opera] (Flagstad) (1941, 1951)
7:54 April 1, 2011
BPM
71
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) - Ludwig van Beethoven, Kirsten Flagstad, Set Svanholm, Paul Schoeffler, Deszo Ernster, Nadine Conner, Peter Klein, Jerome Hines, Brian Sullivan, George Cehanovsky, Bruno Walter Information

Acousticness
80%
Danceability
28%
Energy
93%
Instrumentalness
0%
Liveness
37%
Loudness
75%
Speechiness
92%
Valence
4%
Popularity
Loudness
-14.879 dB

Summary

"Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore)" by Ludwig van Beethoven, Kirsten Flagstad, Set Svanholm, Paul Schoeffler, Deszo Ernster, Nadine Conner, Peter Klein, Jerome Hines, Brian Sullivan, George Cehanovsky, Bruno Walter was released on April 1, 2011. Since Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 80 in Beethoven, L. Van: Fidelio [Opera] (Flagstad) (1941, 1951) by Ludwig van Beethoven, Bruno Walter. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) BPM

The tempo marking of Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) by Ludwig van Beethoven, Kirsten Flagstad, Set Svanholm, Paul Schoeffler, Deszo Ernster, Nadine Conner, Peter Klein, Jerome Hines, Brian Sullivan, George Cehanovsky, Bruno Walter is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Il barbiere di Siviglia: Overture (Sinfonia) by Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville MarrinerIl barbiere di Siviglia: Overture (Sinfonia)Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville MarrinerE Major112B92 BPM
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato by Franz Schubert, Alfred Brendel6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderatoFranz Schubert, Alfred BrendelG Minor06A103 BPM
Sonata in D Minor, K. 9 by Domenico Scarlatti, Ivo PogorelichSonata in D Minor, K. 9Domenico Scarlatti, Ivo PogorelichD Minor07A94 BPM
Symphony No. 3 in E-Flat Major, Op. 55 Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivaceLudwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla DrahosE♭ Major25B171 BPM
Solfeggietto in C minor, Wq. 117/2 by Carl Philipp Emanuel Bach, Dinara KlintonSolfeggietto in C minor, Wq. 117/2Carl Philipp Emanuel Bach, Dinara KlintonF Minor24A122 BPM
13 Pieces, Op. 76: No. 1 Esquisse by Jean Sibelius, Håvard Gimse13 Pieces, Op. 76: No. 1 EsquisseJean Sibelius, Håvard GimseA Major111B141 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace by Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserViolin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivaceJohannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen GunzenhauserF Major17B91 BPM
Waltz in C-sharp minor, Op. 64 No. 2 by Frédéric Chopin, Khatia BuniatishviliWaltz in C-sharp minor, Op. 64 No. 2Frédéric Chopin, Khatia BuniatishviliD♭ Minor012A96 BPM
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto by Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert StankovskyPiano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenutoFelix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert StankovskyB♭ Major06B131 BPM
ISRC
USB8U1026505
Label
L-M Records/RCA Records

Section: 0.6727933883666992

End: 0.6767747402191162