"Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore)" by Ludwig van Beethoven, Kirsten Flagstad, Set Svanholm, Paul Schoeffler, Deszo Ernster, Nadine Conner, Peter Klein, Jerome Hines, Brian Sullivan, George Cehanovsky, Bruno Walter was released on April 1, 2011. Since Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 17 out of 80 in Beethoven, L. Van: Fidelio [Opera] (Flagstad) (1941, 1951) by Ludwig van Beethoven, Bruno Walter. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Fidelio, Op. 72: Act I: Recitative and Aria: Abscheulicher! wo eilst du hin? (Leonore) by Ludwig van Beethoven, Kirsten Flagstad, Set Svanholm, Paul Schoeffler, Deszo Ernster, Nadine Conner, Peter Klein, Jerome Hines, Brian Sullivan, George Cehanovsky, Bruno Walter is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 92 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | Ludwig van Beethoven, Nicolaus Esterhazy Sinfonia, Béla Drahos | E♭ Major | 2 | 5B | 171 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
13 Pieces, Op. 76: No. 1 Esquisse | Jean Sibelius, Håvard Gimse | A Major | 1 | 11B | 141 BPM | ||
Pelléas et Mélisande, Op.80: 3. Sicilienne | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 0 | 6A | 111 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Waltz in C-sharp minor, Op. 64 No. 2 | Frédéric Chopin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 96 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: II. Adagio - Molto sostenuto | Felix Mendelssohn, Benjamin Frith, Slovak State Philharmonic Orchestra, Kosice, Robert Stankovsky | B♭ Major | 0 | 6B | 131 BPM |
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