Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra) - Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach Information

Acousticness: 99%
Danceability: 8%
Energy: 4%
Instrumentalness: 82%
Liveness: 11%
Loudness: 57%
Speechiness: 4%
Valence: 3%
Popularity: 0%
Loudness: -25.988 dB

Summary

"Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra)" by Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach was released on 2019. The duration of Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra) is about 3 minutes long, at 3:27. Based on our data, "Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 11 in the song's album "Sinnbild: Strauss Orchestral Songs". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Netherlands. Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra) BPM

With Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra) by Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Malven, TrV 297 (Arr. W. Rihm for Soprano & Orchestra) Key

This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La mer, L. 109: II. Jeux de vagues	Claude Debussy, Orchestre National De Lyon, Jun Markl	E Major	1	12B	84 BPM
Das Liebesverbot: Overture	Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli	G Major	6	9B	120 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster	E♭ Major	0	5B	100 BPM
Carmen Suite No. 1: 1. Prélude	Georges Bizet, Orchestre de Paris, Semyon Bychkov	A Minor	1	8A	96 BPM
Symphony No. 8 in C Minor, Op. 65: III. Allegro non troppo	Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko	F Major	5	7B	167 BPM
Schoenberg: Verklärte Nacht, Op. 4: I. Grave	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston	D Minor	1	7A	174 BPM
8 Slavonic Dances, Op. 72, B. 147: 2. Dumka. Allegretto grazioso	Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek	C Major	2	8B	97 BPM
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered	Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra	D♭ Major	0	3B	86 BPM
Prelude In A Minor Op. 32 No. 8	Vladimir Horowitz	F Major	1	7B	59 BPM
Romeo and Juliet, Op. 64 - Act 1: The Street Wakens - Morning Dance	Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel	G Major	2	9B	90 BPM

ISRC: NLE422201207
Label: L-M Records/RCA Records

Section: 0.8850133419036865

End: 0.8889222145080566