"Flute Concerto in G Major, QV 5:174: II. Arioso e mesto" by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble was released on July 15, 2014. Since Flute Concerto in G Major, QV 5:174: II. Arioso e mesto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 12 in the song's album "Quantz: 4 Flute Concertos". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Hungary. Flute Concerto in G Major, QV 5:174: II. Arioso e mesto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Flute Concerto in G Major, QV 5:174: II. Arioso e mesto by Johann Joachim Quantz, Benedek Csalog, Aura Musicale Ensemble having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No.1 in A minor, QV 1:Anh.38: II. Presto | Johann Joachim Quantz, Claudio Ferrarini, Accademia Farnese | A Minor | 4 | 8A | 116 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM | ||
Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
Sonata No.3 in C major, QV 1:8: I. Cantabile ma non troppo lento | Johann Joachim Quantz, Claudio Ferrarini, Accademia Farnese | C Minor | 3 | 5A | 79 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": III. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 2 | 11B | 120 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": III. Tempo di Menuetto | William Boyce, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 99 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Sonata in C Major, No. 3: IV. Allegro | Arcangelo Corelli, Lucy van Dael, Bob van Asperen | B Major | 3 | 1B | 125 BPM | ||
Athalia, HWV 52: Part 1 - No. 1 Sinfonia: Allegro - Grave - Allegro | George Frideric Handel, Markus Brutscher, Friederike Holzhausen, Stephan MacLeod, Annette Reinhold, Barbara Schlick, Elisabeth Scholl, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 0 | 3B | 77 BPM | ||
Trio Sonata in G Major, QV 2:Anh. 28: II. Allegro | Johann Joachim Quantz, Ensemble Labirinto Armonico | G Major | 2 | 9B | 170 BPM |
Section: 0.6155762672424316
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