Jean-Philippe Rameau, Jean Rondeau made "Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double" available on February 19, 2016. Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. This song is part of Vertigo by Jean Rondeau. The song's track number on the album is #4 out of 16 tracks. In terms of popularity, Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double by Jean-Philippe Rameau, Jean Rondeau has a tempo of 117 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Rameau: Pièces de clavecin (1724), Suite in D Major, RCT 3: No. 2 Les Niais de Sologne - Doubles des Niais - Autre Double being at 117 BPM, the half-time would be 58 BPM with a double-time of 234 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas, Z. 626: When I am laid in earth, "Dido's Lament" (arr. L. Stokowski) | Henry Purcell, Leopold Stokowski, Bournemouth Symphony Orchestra, José Serebrier | G Minor | 0 | 6A | 73 BPM | ||
Hippolyte et Aricie / Act 5: "Arrête!..Pour un fils quelle pitié vous presse?" | Jean-Philippe Rameau, Russell Smythe, Laurent Naouri, Les Musiciens du Louvre, Marc Minkowski | F Minor | 3 | 4A | 133 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff) | Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret | F Major | 0 | 7B | 81 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
La damoiselle élue, L. 62: Prélude | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Musiche sacre: No. 23, Canzon à 3 | Francesco Cavalli, London Baroque | A♭ Minor | 1 | 1A | 122 BPM |
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