Wolfgang Amadeus Mozart, Itzhak Perlman, Wiener Philharmoniker, James Levine made "Adagio For Violin And Orchestra In E, K.261 - Cadenza: Itzhak Perlman: Adagio" available on January 1, 1994. Since Adagio For Violin And Orchestra In E, K.261 - Cadenza: Itzhak Perlman: Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Itzhak Perlman, Wiener Philharmoniker, James Levine's "Mozart: The 5 Violin Concertos" album is number 7 out of 18. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Adagio For Violin And Orchestra In E, K.261 - Cadenza: Itzhak Perlman: Adagio's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Adagio For Violin And Orchestra In E, K.261 - Cadenza: Itzhak Perlman: Adagio by Wolfgang Amadeus Mozart, Itzhak Perlman, Wiener Philharmoniker, James Levine to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, J.S.: Solo Violin Sonata No. 2 in A Minor, BWV 1003: III. Andante | Johann Sebastian Bach, Itzhak Perlman | C Major | 0 | 8B | 181 BPM | ||
Mondaufgang | Otto Nicolai, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 74 BPM | ||
Auf und davon, Polka schnell, Op. 73 | Eduard Strauss, Franz Welser-Möst, Wiener Philharmoniker | E♭ Major | 4 | 5B | 171 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Wiener Philharmoniker, James Levine | E Major | 1 | 12B | 88 BPM | ||
String Quartet No. 2 in D Major, K. 155: I. Allegro | Eder Quartet | D Major | 1 | 10B | 128 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Debussy / Arr Hartmann: Préludes, L. 63/2c, Book 1: VII. La fille aux cheveux de lin (Arr. Hartmann for Violin & Piano) | Claude Debussy, Itzhak Perlman | G Major | 0 | 9B | 120 BPM | ||
Sonata For Violin And Piano No.1 In D, Op.12 No.1: 1. Allegro con brio | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | A Major | 1 | 11B | 144 BPM | ||
Mit Extrapost, Polka schnell, Op. 259 | Eduard Strauss, Christian Thielemann, Wiener Philharmoniker | D Major | 4 | 10B | 87 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM |
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