Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy's 'Sonata For Violin And Piano No.1 In D, Op.12 No.1: 1. Allegro con brio' came out on January 1, 1977. Since Sonata For Violin And Piano No.1 In D, Op.12 No.1: 1. Allegro con brio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 33 in Beethoven: The Complete Violin Sonatas by Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy. Based on our statistics, Sonata For Violin And Piano No.1 In D, Op.12 No.1: 1. Allegro con brio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sonata For Violin And Piano No.1 In D, Op.12 No.1: 1. Allegro con brio by Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy is Allegro (fast, quick, and bright), since this song has a tempo of 144 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Violin Concerto No. 4 in D Major, K. 218: 3. Rondeau (Andante grazioso - Allegro ma non troppo) - Cadenza: Itzhak Perlman | Wolfgang Amadeus Mozart, Itzhak Perlman, Wiener Philharmoniker, James Levine | D Major | 1 | 10B | 121 BPM | ||
Schumann: Symphony No. 2 in C Major, Op. 61: IV. Allegro molto vivace | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | C Major | 2 | 8B | 66 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Keyboard Sonatina in C Major, Op. 36, No. 1: I. Allegro | Muzio Clementi, Chun-Young June | G Major | 2 | 9B | 100 BPM | ||
Septet in E-Flat Major, Op. 20: II. Adagio cantabile | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | A♭ Major | 0 | 4B | 127 BPM | ||
Vieuxtemps: Violin Concerto No. 5 in A Minor, Op. 37: II. Adagio | Henri Vieuxtemps, Itzhak Perlman, Daniel Barenboim, Orchestre de Paris | A Major | 2 | 11B | 93 BPM | ||
Quintet No.1 for Guitar and Strings in D minor G.445: 4. Finale (Allegro assai | Luigi Boccherini, Pepe Romero, Academy of St. Martin in the Fields | C Major | 1 | 8B | 118 BPM | ||
Brahms: Violin Sonata No. 1 in G Major, Op. 78: III. Allegro molto moderato | Johannes Brahms, Itzhak Perlman | G Minor | 1 | 6A | 90 BPM | ||
Triple Concerto in C Major, Op. 56: I. Allegro | Ludwig van Beethoven, Anne-Sophie Mutter, Yo-Yo Ma, Mark Zeltser, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 124 BPM | ||
Ständchen, D. 889 - Transcription: Franz Liszt: Searle 558 No. 9 "Horch! horch!..." | Franz Liszt, Evgeny Kissin | B♭ Major | 1 | 6B | 71 BPM |
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