"Ave Maria, Op. 52 No. 6, D. 839 (Arr. for Soprano, Harp & Chorus)" by The Cathedral Singers, Lorelei McDermott, Stephen Hartman had its release date on January 1, 2000. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 20 in Catholic Classics, Vol. 4: Catholic Latin Classics by The Cathedral Singers, Richard Proulx. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Ave Maria, Op. 52 No. 6, D. 839 (Arr. for Soprano, Harp & Chorus) is currently average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Maria, Op. 52 No. 6, D. 839 (Arr. for Soprano, Harp & Chorus) by The Cathedral Singers, Lorelei McDermott, Stephen Hartman is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lux Aeterna | John L. Bell, The Cathedral Singers, Bill Chin | E Minor | 2 | 9A | 91 BPM | ||
Pange, Lingua Gloriosi | Dan Gibson's Solitudes | B♭ Major | 2 | 6B | 116 BPM | ||
Memorare | The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr | F Major | 0 | 7B | 131 BPM | ||
Mary the Dawn | The Cathedral Singers, Stefan Engels, William Chin, William Combs | B Minor | 1 | 10A | 80 BPM | ||
Adoro te devote | Schola Antiqua, Schola Gregoriana Hispana | D Major | 1 | 10B | 100 BPM | ||
Ave Maria, No. 7, Op. 13 | Sabrina Cortese & Michele Biki Panitti | G Major | 1 | 9B | 87 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
Stabat Mater, RV. 621: Stabat Mater, RV. 621: Stabat Mater dolorosa | Antonio Vivaldi, Andreas Scholl, Chiara Banchini, Ensemble 415 | E Minor | 1 | 9A | 173 BPM | ||
Ellens Gesang III ("Ave Maria"), Op. 52, No. 6, D. 839 | Caffee Concerto | B♭ Major | 2 | 6B | 76 BPM | ||
In a Monastery Garden | Albert Ketèlbey, Ambrosian Opera Chorus, London Promenade Orchestra, Alexander Faris | F Major | 1 | 7B | 102 BPM |